Staging and stagers in modern Jewish Palestine : the creation of festive lore in a new culture, 1882-1948
著者
書誌事項
Staging and stagers in modern Jewish Palestine : the creation of festive lore in a new culture, 1882-1948
(Raphael Patai series in Jewish folklore and anthropology)
Wayne State University Press, c2004
- : cloth
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. 189-198) and index
内容説明・目次
内容説明
This case study describes the work of the people responsible for creating festive lore and its system of ceremonies and festivities - an inseparable part of every culture. In the case of the new modern Hebrew culture of Eretz Israel (modern Jewish Palestine) - a society of immigrants that left behind most of their traditional folkways - the creation of festival lore was an organized process guided by a national ideology and aesthetic values. This effort in a secular national society served as an alternative to the traditional religious system, adapted the ceremonies and festivals to a new historical reality, and created a new festival cycle that would give expression to the values and symbols of the new Jewish society. Stoging and Stagers in Modern Jewish Palestine claims that the system of ceremonies and festivals, in general, and each separate ceremony and festival were staged according to the staging instructions written by a defined group of cultural activists. The book examines three main stages - the educational network, rural society (particularly the cooperative sector), and urban society (most notably Tel Aviv) - and looks at the stagers themselves, who were school-teachers, writers, artists, and cultural activists. Though cultural systems of festivals and ceremonies are often researched and described, scholarly literature rarely identifies their creators or studies in detail the manner in which these systems are created. This book sheds important light on the stagers of modern Jewish Palestine and also on the processes and mechanisms that created the performative lore in other cultures, in ancient as well as modern times.
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