Trauma and visuality in modernity
著者
書誌事項
Trauma and visuality in modernity
（Interfaces : studies in visual culture）
Dartmouth College Press : University Press of New England, c2006
- : cloth
- : pbk
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注記
Includes index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9781584655152
内容説明
In recent years, trauma has emerged as an important lens for the analysis of cultural productions. Most such analyses, however, have focused on literary works, despite the fact that the experience of trauma - which, by definition, is imperfectly apprehended in the moment of experience - is susceptible to subsequent processing by means of the visual arts. Although a few works of art history and criticism have addressed the issue of trauma in the context of the Holocaust, the larger question of visual representations of trauma during the modern period remains largely unaddressed. This collection will be among the first books to apply to trauma in visual productions the same careful analysis that has already been applied to the topic in literary ones.
目次
- Section One: Image
- Trauma as Representation: A Meditation on Manet and Johns - Isabelle Wallace
- Walker Evans' Depression and the Trauma of Photography - Eric Rosenberg
- Section Two: Monument
- Canova's Penitent Madeleine: On Trauma's Prehistory - Erika Naginski
- When Memory Speaks: A Monument Bears Witness - Lisa Saltzman
- Section Three: Performance and Installation
- Car Crash, 1960 - Judith Rodenbeck
- "Normal Ills": On Embodiment, Victimization, and the Origins of Feminist Art - Anna Chave
- The "Rememory" of Slavery: Kara Walker's The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven - Gwendolyn DuBois Shaw
- Section Four: Film
- Literature and the Enactment of Memory (Duras, Resnais, Hiroshima Mon Amour) - Cathy Caruth
- The Revivifying Artist: Christian Boltanski's Efforts to Close the Gap - Ernst van Alphen
- Section Five: Historiography
- The Post-Traumatic Turn and the Art of Walid Ra'ad and Krzystof Wodiczko: From Theory to Trope to Beyond - Mark Jarzombek.
- 巻冊次
-
: pbk ISBN 9781584655169
内容説明
This groundbreaking collection is among the first in the field of art history to explore the relation between the traumatic and the visual field in the modern period. Ranging across media and spanning from the origins of modernity to the present, the essays gathered here pursue trauma as a structuring yet elusive subject of representation. Examining the most revelatory instances of encounter between event and image, between history and visual form, this collection offers an account of the centrality of trauma's visualization to an understanding of modernity.
目次
- Section One: Image
- Trauma as Representation: A Meditation on Manet and Johns - Isabelle Wallace
- Walker Evans' Depression and the Trauma of Photography - Eric Rosenberg
- Section Two: Monument
- Canova's Penitent Madeleine: On Trauma's Prehistory - Erika Naginski
- When Memory Speaks: A Monument Bears Witness - Lisa Saltzman
- Section Three: Performance and Installation
- Car Crash, 1960 - Judith Rodenbeck
- "Normal Ills": On Embodiment, Victimization, and the Origins of Feminist Art - Anna Chave
- The "Rememory" of Slavery: Kara Walker's The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven - Gwendolyn DuBois Shaw
- Section Four: Film
- Literature and the Enactment of Memory (Duras, Resnais, Hiroshima Mon Amour) - Cathy Caruth
- The Revivifying Artist: Christian Boltanski's Efforts to Close the Gap - Ernst van Alphen
- Section Five: Historiography
- The Post-Traumatic Turn and the Art of Walid Ra'ad and Krzystof Wodiczko: From Theory to Trope to Beyond - Mark Jarzombek.
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