Architecture and tourism in Italian colonial Libya : an ambivalent modernism

Author(s)

    • McLaren, Brian L.

Bibliographic Information

Architecture and tourism in Italian colonial Libya : an ambivalent modernism

Brian L. McLaren

(Studies in modernity and national identity)

University of Washington Press, c2006

  • : hardback

Available at  / 3 libraries

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Note

Bibliography: p. 261-271

Includes index

Description and Table of Contents

Description

To be a tourist in Libya during the period of Italian colonization was to experience a complex negotiation of cultures. Against a sturdy backdrop of indigenous culture and architecture, modern metropolitan culture brought its systems of transportation and accommodation, as well as new hierarchies of political and social control. Architecture and Tourism in Italian Colonial Libya shows how Italian authorities used the contradictory forces of tradition and modernity to both legitimize their colonial enterprise and construct a vital tourist industry. Although most tourists sought to escape the trappings of the metropole in favor of experiencing "difference," that difference was almost always framed, contained, and even defined by Western culture. McLaren argues that the "modern" and the "traditional" were entirely constructed by colonial authorities, who balanced their need to project an image of a modern and efficient network of travel and accommodation with the necessity of preserving the characteristic qualities of the indigenous culture. What made the tourist experience in Libya distinct from that of other tourist destinations was the constant oscillation between modernizing and preservation tendencies. The movement between these forces is reflected in the structure of the book, which proceeds from the broadest level of inquiry into the Fascist colonial project in Libya to the tourist organization itself, and finally into the architecture of the tourist environment, offering a way of viewing state-driven modernization projects and notions of modernity from a historical and geographic perspective. This is an important book for architectural historians and for those interested in colonial and postcolonial studies, as well as Italian studies, African history, literature, and cultural studies more generally.

Table of Contents

Preface Introduction 1. The Incorporation of Libya into Metropolitan Italy 2. Colonial Tourism and the Experience of Modernity 3. The Indigenous Politics of Italian Colonialism 4. Tourism and the Framing of Indigenous Culture 5. Toward a Modern Colonial Architecture 6. In Search of a Regionalist Expression Conclusion Notes Bibliography Figure Credits Index

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