New music, new allies : American experimental music in West Germany from the zero hour to reunification
Author(s)
Bibliographic Information
New music, new allies : American experimental music in West Germany from the zero hour to reunification
(California studies in 20th century music, 4)
University of California Press, c2006
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 301-325) and index
Description and Table of Contents
Description
"New Music, New Allies" documents how American experimental music and its practitioners came to prominence in the West German cultural landscape between the end of the Second World War in 1945 and the reunification of East and West Germany in 1990. Beginning with the reeducation programs implemented by American military officers during the postwar occupation of West Germany and continuing through the cultural policies of the Cold War era, this broad history chronicles German views on American music, American composers' pursuit of professional opportunities abroad, and the unprecedented dissemination and support their music enjoyed through West German state-subsidized radio stations, new music festivals, and international exchange programs. Framing the biographies of prominent American composer-performers within the aesthetic and ideological contexts of the second half of the twentieth century, Amy C. Beal follows the international careers of John Cage, Henry Cowell, Earle Brown, Morton Feldman, David Tudor, Frederic Rzewski, Christian Wolff, Steve Reich, Pauline Oliveros, Conlon Nancarrow, and many others to Donaueschingen, Darmstadt, Cologne, Bremen, Berlin, and Munich.
Table of Contents
List of Illustrations Preface and Acknowledgments Introduction: West Germany and the American Experimental Tradition 1. The American Occupation and Agents of Reeducation (1945--1950) 2. Debuts (1950--1954) 3. Ambassadors for the American Avant-Garde (1955--1958) 4. Musics of Change: Action after Cage (1959--1961) 5. Changing of the Guards (1962--1970) 6. The Pluralism Paradigm (1970--1974) 7. New Allies and Old Heroes (1975--1990) Conclusion: From Darmstadt to Halberstadt Notes Selected Bibliography Index
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