Concepts of beauty in Renaissance art

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Concepts of beauty in Renaissance art

edited by Francis Ames-Lewis and Mary Rogers

Ashgate, 1999, c1998

  • : pbk

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Note

Originally published: 1998

Bibliography: p. [207]-226

Description and Table of Contents

Description

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Table of Contents

  • The biographical basis of Renaissance aesthetics, John Onians
  • the perception of beauty in landscape in the quattrocento, Alison Cole
  • "condecenti et netti" - beauty, dress and gender in Italian Renaissance art, Jane Bridgeman
  • Giovanni Sabadino degli Arienti and a practical definition of magnificence in the context of Renaisssance architecture, Rupert Shepherd
  • beauty as an aesthetic and artistic ideal in late 15th-century Florence, David Hemsolt
  • defining the beautiful in early Renaissance Germany, Andrew Morrall
  • the artist as beauty, Mary Rogers
  • "la piu bella e melio lavarata opera" - beauty and good design in Italian Renaissance architecture, Georgia Clarke
  • poetry in motion - beauty in movement and the Renaissance conception of leggiadria, Sharon Fermor
  • resplendent vessels - Parmigianino at work in the Steccata, Mary Vaccaro
  • Michalangelo's Christian neoplatonic aesthetic of beauty in his early ouevre - the nuditas virtualis image, Joanne Snow-Smith
  • Venetian glass and Renaissance self-fashioning, Paul Hills
  • Vasari's interpretation of female beauty, Liana de Girolami Cheney
  • the notion of beauty in Francesco Bocchi's "Bellezze della citta di Fiorenza" I, Thomas Frangenberg
  • the notion of beauty in Francesco Bocchi's "Bellezze della citta di Fiorenza" II, Robert Williams.

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