Poetics, the novel and authorship
著者
書誌事項
Poetics, the novel and authorship
(Women and romanticism, 1790-1830 / edited by Roxanne Eberle, v. 3)
Routledge, 2006
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注記
Reprint of works originally published 1785-1873
内容説明・目次
- 巻冊次
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: set ISBN 9780415342186
内容説明
Demonstrating the breadth and scope of women's writing in the Romantic period, this collection covers a variety of topics ranging across polemical treatises, private correspondence, philosophical and historical disquisitions, and poetry and prose fiction.
Helping to contextualise the areas discussed, the collection includes a general introduction by the editor, which traces the history of criticism in the field, and thus current definitions of "Women and Romanticism", before going on to discuss the contents of each volume.
目次
Volume 1: Introduction and contemporary accounts of the state of women's writing and the political/ artistic/ aesthetic goals of Romantic women writers Volume 2: Political Treatises Excerpts and whole texts by authors including Mary Wollstonecraft, Mary Ann Radcliffe, Priscilla Wakefield, Mary Hays and Mary Robinson Volume 3: Women's writing on History, Religion, and Philanthropy Excerpts and whole texts by authors including Hannah More, Mary Hays and Lucy Aiken Volume 4: Poetry
Selections from Charlotte Smith, Felicia Hemans, Letitia Landon and others Volume 5: Material conditions of publication and female authorship
- 巻冊次
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ISBN 9780415342223
内容説明
First published in 2006. Women and Romanticism's third volume covers Poetics, the Novel and Authorship and brings together work on poetics, the novel and authorship. Joanna Baillie and Elizabeth Hamilton wrote manifestoes not terribly different in kind from those produced by William Wordsworth and Samuel Taylor Coleridge, and excerpts from their work are included here. But Romantic-era women writers more often make statements about art and poetics covertly, in poems and in tales as well as in biographical writing, and the editor acknowledges this tendency in the third volume by drawing upon these genres. Until the 1980s, a five-volume collection of materials on 'Women and Romanticism' would have been inconceivable, since Romantic studies largely restricted itself to a consideration of the major male poets of the period (William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley and John Keats), When women were present in accounts of Romanticism, they were considered in terms of their literary function (as objects of representation), or in relation to their domestic (as mothers, daughters, wives and lovers of the authors). Indeed, the first Romantic women writers to enter academic discourse were those with familial connections to the canonized poets: Mary Wollstonecraft, Mary Shelley and Dorothy Wordsworth. Other writers of interest in the 1970s included Frances Burney and Jane Austen.
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