Talking animals in British children's fiction, 1786-1914
Author(s)
Bibliographic Information
Talking animals in British children's fiction, 1786-1914
（Nineteenth century series）
Ashgate, c2006
Available at / 12 libraries
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Prefectural University of Hiroshima Library and Academic Information Center
909.3||C88110050490
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Note
Includes bibliographical references and index
Description and Table of Contents
Description
In her reappraisal of canonical works such as Black Beauty, Beautiful Joe, Wind in the Willows, and Peter Rabbit, Tess Cosslett traces how nineteenth-century debates about the human and animal intersected with, or left their mark on, the venerable genre of the animal story written for children. Effortlessly applying a range of critical approaches, from Bakhtinian ideas of the carnivalesque to feminist, postcolonial, and ecocritical theory, she raises important questions about the construction of the child reader, the qualifications of the implied author, and the possibilities of children's literature compared with literature written for adults. Perhaps most crucially, Cosslett examines how the issues of animal speech and animal subjectivity were managed, at a time when the possession of language and consciousness had become a vital sign of the difference between humans and animals. Topics of great contemporary concern, such as the relation of the human and the natural, masculine and feminine, child and adult, are investigated within their nineteenth-century contexts, making this an important book for nineteenth-century scholars, children's literature specialists, and historians of science and childhood.
Table of Contents
- Contents: Introduction
- Animals in 18th-century children's books
- Fabulous histories and papillonades
- Animal autobiography
- Parables and fairy-tales
- Wild animal stories
- Arcadias?
- Afterword
- Bibliography
- Index.
by "Nielsen BookData"