The performing arts in contemporary China
Author(s)
Bibliographic Information
The performing arts in contemporary China
(China : history, philosophy, economics, 18)
Routledge, 2005
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 226-228) and index
Reprint. Originally published: London : Routledge & Kegan Paul, 1981
Description and Table of Contents
Description
First published in 1981.
The overthrow of the 'gang of four' in October 1976 had profound effects in all areas of Chinese society, and probably nowhere can this be more clearly seen than in the performing arts. Jiang Qing, Mao Zedong's widow, was strongly interested in the performing arts and exercised great influence over them. This book describes her influence and the effects its removal had on the arts. Although the period covered is mainly that since the death of Mao, there is also considerable reference to the years following the Cultural Revolution.
Table of Contents
- Chapter 1 1 Historical background
- Chapter 2 2 Performing arts policy in the history of China since Mao Zedong
- Chapter 3 3 The traditional forms of the performing arts since 1976
- Chapter 4 4 Theatre in its modern forms
- Chapter 5 5 The cinema
- Chapter 6 6 Music in the performing arts
- Chapter 7 7 Bringing performances to fruition
- Chapter 8 8 Conclusion
by "Nielsen BookData"