Heinrich Schenker's theory of form and its application to historical criticism, with special reference to rondo-form problems in eighteenth and nineteenth-century instrumental music
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Heinrich Schenker's theory of form and its application to historical criticism, with special reference to rondo-form problems in eighteenth and nineteenth-century instrumental music
UMI, c1991
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Rondo-form problems in eighteenth- and nineteenth-century instrumental music : with reference to the application of Schenker's form theory to historical criticism
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注記
Printed by xerographic process
Thesis (Ph.D.)--Yale University, 1990
Includes bibliographical references