Music of the twentieth century : a study of its elements and structure
Author(s)
Bibliographic Information
Music of the twentieth century : a study of its elements and structure
Amsterdam University Press, c2005
- Other Title
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Muziek van de twintigste eeuw
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references and index
Translated from the Dutch by Stephen Taylor
Description and Table of Contents
Description
Ton de Leeuw (1926-96) is probably one of the most influential composers at the crossroads between Eastern philosophy and Western technique. A one-time pupil of Olivier Messiaen's in Paris, throughout the latter years of his musical career he concentrated on the marriage of Western emphasis on action and tension, and the ethical function of music in Eastern traditions. The musical world of the twentieth century is a divided one. Numerous histories of it have been written, but few of the exceptional quality of de Leeuw's, who brought into his writing a lifetime of experience as a composer and scholar of music. His work is a lucid and impassioned discussion of the elements, structures, compositional principles and terminologies in modern music that can be regarded as most innovatory. This book is an excellent guide for anyone wishing to gain knowledge of the compositional technique and mentality, particularly university and conservatory students.
Table of Contents
Table of Contents - 6 Foreword by Rokus de Groot - 8 Preface - 10 Introduction - 12 Chapter 1: Panorama - 20 Chapter 2: Rhythm - 38 Chapter 3: Melody - 60 Chapter 4: Simultaneity - 78 Chapter 5: Timbre - 98 Chapter 6: Exoticism and Folklore - 118 Chapter 7: From Free Atonality to 12-Note Music - 136 Chapter 8: From 12-Note Music to... - 164 Chapter 9: From the Sixties to the Present Day - 196 Notes - 206 List of Examples - 210 List of Abbreviations - 214 Acknowledgements - 216 About the Author - 218 Index - 220
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