Make believe in film and fiction : visual vs. verbal storytelling
著者
書誌事項
Make believe in film and fiction : visual vs. verbal storytelling
Palgrave Macmillan, 2006
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注記
Includes bibliographical references (p. [213]-220) and index
内容説明・目次
内容説明
This study provides the first detailed contrast between the experiences of reading a novel and watching a movie. Kroeber shows how fiction evokes morally inflected imagining, and how movies reveal through magnification of human movements and expression subjective effects of complex social changes.
目次
Brutal Beginning: Imagining Murder/Watching Murder Moving Eyes, Moving Sculptures Inside and Outside Somebody Else's Fantasy Make Believe is Always a Story Single-Handed and Collective Make Believe Movies and Hyper-Visual Culture La Strada and the Conjecturing Imagination Madame Bovary : Linguistic Configurings of Imaginative Corruption Rashomon and Wuthering Heights Form in Visual Storytelling: Buster Keaton's The General Genre and Transforming Sources: High Noon Forenoon Seeing and Imagining Ethical Crises: High Noon : Afternoon Great Expectations : Insights from the Impossibility of Adaptation Magnifying Criminality: Fargo , Film Noir, and A Perfect World Innovative Lawfulness: Learning to Read Works Cited Index
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