The music of Tōru Takemitsu
Author(s)
Bibliographic Information
The music of Tōru Takemitsu
(Music in the twentieth century)
Cambridge University Press, 2006, c2001
- : pbk
Available at 4 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
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  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
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  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
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-
Library, Institute of Developing Economies, Japan External Trade Organization図
: pbkAEJA||78||M117910373
Note
Includes bibliographical references (p. 281-287) and index
"First published 2001. This digitally printed first paperback version 2006"--T.p. verso
Description and Table of Contents
Description
Toru Takemitsu (1930-1996) was the best-known Japanese composer of his generation, bringing aspects of Eastern and Western traditions together, yet he remained something of an elusive figure. The composer's own commentaries about his music, poetic and philosophical in tone, have tended to deepen the mystery and much writing on Takemitsu to date has adopted a similar attitude, leaving many questions about his compositional methods unanswered. This book is the first complete study of the composer's work to appear in English. It is also the first book in this language to offer an in-depth analysis of his music. Takemitsu's works are increasingly popular with Western audiences and Peter Burt attempts for the first time to shed light on the hitherto rather secretive world of his working methods, as well as place him in context as heir to the rich tradition of Japanese composition in the twentieth century.
Table of Contents
- Acknowledgements
- Notes on conventions
- Introduction
- 1. Pre-history: how Western music came to Japan
- 2. Music and 'pre-music': Takemitsu's early years
- 3. Experimental workshop: the years of Jikken Kobo
- 4. The Requiem and its reception
- 5. Projections onto a Western mirror
- 6. 'Cage shock' and after
- 7. Projections onto an Eastern mirror
- 8. Modernist apogee: the early 1970s
- 9. Descent into the pentagonal garden
- 10. Towards the sea of tonality: the works of the 1980s
- 11. Beyond the far calls: the final years
- 12. Swimming in the ocean that has no West or East
- Notes
- List of Takemitsu's work
- Bibliography
- Index.
by "Nielsen BookData"