Vase painting, gender, and social identity in archaic Athens
著者
書誌事項
Vase painting, gender, and social identity in archaic Athens
Cambridge University Press, 2006
- : hbk
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
Spectators at the sides of narrative vase paintings have long been at the margins of scholarship, but a study of their appearance shows that they provide a model for the ancient viewing experience. They also reflect social and gender roles in archaic Athens. This study explores the phenomenon of spectators through a database built from a census of the Corpus Vasorum Antiquorum, which reveals that the figures flourished in Athenian vase painting during the last two-thirds of the sixth century BCE. Using models developed from psychoanalysis and the theory of the gaze, ritual studies, and gender studies, Stansbury-O'Donnell shows how these 'spectators' emerge as models for social and gender identification in the archaic city, encoding in their gestures and behavior archaic attitudes about gender and status.
目次
- 1. Seeing spectators
- 2. Defining spectators
- 3. Vision and the construction of identity
- 4. Ritual performance, spectators, and identity
- 5. Men and youths: gender and social identity
- 6. Women as spectators: gender and social identity.
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