CiNii 図書 - Back to the present:Forward to the past : Irish Writing and History since 1798

The island of Ireland, north and south, has produced a great diversity of writing in both English and Irish for hundreds of years, often using the memories embodied in its competing views of history as a fruitful source of literary inspiration. Placing Irish literature in an international context, these two volumes explore the connection between Irish history and literature, in particular the Rebellion of 1798, in a more comprehensive, diverse and multi-faceted way than has often been the case in the past. The fifty-three authors bring their national and personal viewpoints as well as their critical judgements to bear on Irish literature in these stimulating articles. The contributions also deal with topics such as Gothic literature, ideology, and identity, as well as gender issues, connections with the other arts, regional Irish literature, in particular that of the city of Limerick, translations, the works of Joyce, and comparisons with the literature of other nations. The contributors are all members of IASIL (International Association for the Study of Irish Literatures). Back to the Present: Forward to the Past. Irish Writing and History since 1798 will be of interest to both literary scholars and professional historians, but also to the general student of Irish writing and Irish culture.

Acknowledgements Patricia A. LYNCH, Joachim FISCHER and Brian COATES: Introduction 1798: Acts of Memory John Wilson FOSTER: Guests of the Nation Michael PARKER: Woven Figures: Seamus Heaney and Nationalist Tradition Frank MOLLOY: Thomas Campbell's "Exile of Erin": English Poem, Irish Reactions John F. HEALY: Seamus Heaney and the Croppies: 1798 and the Poet's Early Political Inclinations Narrating the Past Teresa CASAL: "I did not know what to think, so I said nothing": Narrative Politics in Castle Rackrent Douglas G. S. SIMES: Redmond Count O'Hanlon, The Irish Rapparee: William Carleton and the Problematical Past Jefferson HOLDRIDGE: "Unspeakable Home": The Post-colonial Aesthetics of Irish Poetry from Beckett to McGuckian Silvia DIEZ FABRE: Jennifer Johnston's How Many Miles to Babylon? Questioning the Past Among Echoes of Literary History Elke D'HOKER: Masks and Mirrors: Anthony Blunt's True Confessions in John Banville's The Untouchable Christa VELTEN: "Be Faithful to the Routine Gestures, and the Bigger Thing Will Come to You: Old Themes in Fermentation in Brian Friel's Give Me Your Answer, Do Irish Gothic Kellie A. DONOVAN: Imprisonment in Castle Rackrent: Maria Edgeworth's Use of Gothic Conventions Mitsuko OHNO: Silenced Women/Women's Silence: Reading into the Past Derek HAND: A Gothic Nightmare: John Banville and Irish History Images of Irish Culture Mary Helen THUENTE: The Origin and Significance of the Angel Harp Sighle Bhreathnach LYNCH: The Influence of J. M. Synge on the Art of Jack B. Yeats and Paul Henry Adele DALSIMER and Vera KREILKAMP: Stepping out: Reading Rita Duffy's Dancer Nadia ZAKI BISHAI: Further Thoughts on Irish Poetry Set to Music, with Special Reference to the Art Song in Contemporary Irish Music Lucy COLLINS: Marking Time: The Influence of Irish Traditional Music on the Poetry of Ciaran Carson Women and Ireland Margaret MAC CURTAIN: Writing Grief into Memory: Women, Language and Narrative Kathleen COSTELLO-SULLIVAN: Silence and Power in Anglo-Irish Women's Literature Eileen FAUSET: Revaluations: The Significance of Women's Writing in Ireland Dominique NICOLAS: The Last September by Elizabeth Bowen, or A Chronicle of a Foreshadowed Death Ann Owens WEEKES: Martyrs to Mistresses? The Mother Figure in Edna O'Brien's Fiction Deborah COTTREAU: After Easter: Critical Reception and Belfast Notes on Contributors and Editors Index

巻冊次: 2 ISBN 9789042020382

内容説明

The island of Ireland, north and south, has produced a great diversity of writing in both English and Irish for hundreds of years, often using the memories embodied in its competing views of history as a fruitful source of literary inspiration. Placing Irish literature in an international context, these two volumes explore the connection between Irish history and literature, in particular the Rebellion of 1798, in a more comprehensive, diverse and multi-faceted way than has often been the case in the past. The fifty-three authors bring their national and personal viewpoints as well as their critical judgements to bear on Irish literature in these stimulating articles. The contributions also deal with topics such as Gothic literature, ideology, and identity, as well as gender issues, connections with the other arts, regional Irish literature, in particular that of the city of Limerick, translations, the works of Joyce, and comparisons with the literature of other nations. The contributors are all members of IASIL (International Association for the Study of Irish Literatures). Back to the Present: Forward to the Past. Irish Writing and History since 1798 will be of interest to both literary scholars and professional historians, but also to the general student of Irish writing and Irish culture.

Out of Limerick: Kate O'Brien - Frank McCourt Maria de la CINTA RAMBLADO MINERO: Kate O'Brien as a "Herstorical" Writer: The Personal Story of Women Clare WALLACE: Judgement in Kate O'Brien's The Land of Spices Taura S. NAPIER: "External Impressions of Life": The Paradoxical Autobiographies of Kate O'Brien Karin ZETTL: Transcending Borders - Limerick, Ireland, Europe: Kate O'Brien as Critic and Novelist M. Casey DIANA: To Heal and Be Healed: Reading Angela's Ashes Alexandra HENDRIOK: Angela's Ashes: Myth and the Memoir of an Irish Survivor Paul ROBINSON: Angela in America: Frank McCourt's Memoir Regionalism Malcolm BALLIN: Regionalism and Realism in The Bell Thomas O'GRADY: Putting Benedict Kiely in His Place Kristin MORRISON: Ireland and the Sea: Where is "The Mainland"? Irish Writing and Translation Maurice HARMON: The Colloquy of the Old Men: Shape and Substance Sean MYTHEN: Thomas Furlong: The Case for the Reassessment of a Forgotten Nineteenth-Century Poet and Journalist Rui CARVALHO HOMEM: "Their Jealous Art": Translators, Precursors and Epigones in the Poetry of Seamus Heaney John HILDEBIDLE: Translation and Retranslation? Field Day and the Reversal of Cultural Colonizations Anthony MCCANN: "Ar Lorg na Gaoithe": The Impossibility of Translating Seamas Mac Annaidh's Cuaifeach Mo Londubh Bui into English Joyce and Identity Patrick BOHAN: National Poets and Joyce Marisol MORALES LADRON: James Joyce's Anxiety of Influence: His Place Inside and Outside the Irish Literary Tradition Eugene O'BRIEN: "Identities in the Writer Complexus": Joyce, Europe and Irish Identities Countervoices In Irish Writing Hiroyuki YAMASAKI: Yeats' Representation of Romantic Ireland: His Obsession with Proper or Singular Nouns Joanny MOULIN: Seamus Heaney's Versus, or Poetry as Still Revolution Ake PERSSON: Brendan Kennelly's Poetry My Arse (1995): An Alternative Ars(e) Poetica Shane MURPHY: Intertextual Relations in Medbh McGuckian's Poetry Giovanna TALLONE: "That Is a Lie": Verbal Deceit in Friel's The Communication Cord Klaus-Gunnar SCHNEIDER: AnOther History of Irish Literature: Creating Spaces for the Homosexual in Irish Prose Ireland and the Wider World B. R. SIEGFRIED: Shadows of an Irish Grace on the Elizabethan Stage: A Prelude to Further Readings of Shakespeare Donatella ABBATE BADIN: Lady Morgan's Italy: Travel Book or Political Tract? Giovanni PILLONCA: Marking Time: Some Considerations on Dante's Presence in Station Island Nicholas MEIHUIZEN: The Poetics of Violence: The Parallel Case of Seamus Heaney and Mongane Wally Serote Mary M. F. MASSOUD: Historic or Comic? The Irishness of Durrell's Alexandria Quartet Notes on Contributors and Editors Index

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Back to the present:Forward to the past : Irish Writing and History since 1798

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