{"@context":{"owl":"http://www.w3.org/2002/07/owl#","bibo":"http://purl.org/ontology/bibo/","foaf":"http://xmlns.com/foaf/0.1/","rdfs":"http://www.w3.org/2000/01/rdf-schema#","prism":"http://prismstandard.org/namespaces/basic/2.0/","cinii":"http://ci.nii.ac.jp/ns/1.0/","dc":"http://purl.org/dc/elements/1.1/","dcterms":"http://purl.org/dc/terms/"},"@id":"https://ci.nii.ac.jp/ncid/BA79065386.json","@graph":[{"@id":"https://ci.nii.ac.jp/ncid/BA79065386#entity","@type":"bibo:Book","foaf:isPrimaryTopicOf":{"@id":"https://ci.nii.ac.jp/ncid/BA79065386.json"},"dc:title":[{"@value":"Electronics in new music"}],"dc:creator":"edited by Claus-Steffen Mahnkopf, Frank Cox, and Wolfram Schurig","dc:publisher":[{"@value":"Wolke Verlag"}],"dcterms:extent":"253 p.","cinii:size":"24 cm","dc:language":"eng","dc:date":"2006","cinii:ncid":"BA79065386","prism:edition":"1st ed","cinii:ownerCount":"2","foaf:maker":[{"@id":"https://ci.nii.ac.jp/author/DA09498057#entity","@type":"foaf:Person","foaf:name":[{"@value":"Mahnkopf, Claus-Steffen"}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Cox, Frank"}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Schurig, Wolfram"}]},{"@type":"foaf:Person","foaf:name":[{"@value":"Bludenzer Tage Zeitgemäßer Musik"}]}],"bibo:owner":[{"@id":"https://ci.nii.ac.jp/library/FA001925","@type":"foaf:Organization","foaf:name":"東京芸術大学 附属図書館","rdfs:seeAlso":{"@id":"https://opac.lib.geidai.ac.jp/opc/recordID/catalog.bib/BA79065386"}},{"@id":"https://ci.nii.ac.jp/library/FA022175","@type":"foaf:Organization","foaf:name":"同志社女子大学 京田辺図書館","rdfs:seeAlso":{"@id":"https://dwcopac.dwc.doshisha.ac.jp/iwjs0003opc/ufirdi.do?ufi_target=ctlsrh&ncid=BA79065386"}}],"prism:publicationDate":["2006"],"cinii:note":["\"Published in collaboration with the Bludenzer Tage Zeitgemäßer Musik\""],"dc:subject":["LCC:ML1380"],"cinii:contentOfWorks":["Progress report : the state of the art after sixteen years of designing and playing electroacoustic sound-sculptures / Mark Applebaum","On the making of my Klavierkonzert for piano and electronics / Sidney Corbett","Aura and electronic music / Frank Cox","Interactive variation : on the relativity of sound and movement in transition and TRASA alongside various thoughts on the incorporeality of electronic media / Georg Klein","Hommage à Thomas Pynchon / Claus-Steffen Mahnkopf","Gesture in the mouth and throat : electroacoustic approaches to vocalization in Rally / Chris Mercer","Analogy and displacement : the private use of technology and the technological use of the private in In der Gnade der Strafe sein for 2 performers, video, live electronics, and tape / Christoph Ogiermann","Ombres croisées : an analysis / João Rafael","By nature / Alexander Stankowski","Strange autumn : an attempt at an interpretation / Steven Kazuo Takasugi","Composing without composers? : creation, control, and individuality in computer-based algorithmic composition / Ian Willcock","Hybrid II (NetWorks), or, At the edge of musical self-organization / Gerhard Winkler"],"foaf:topic":[{"@id":"https://ci.nii.ac.jp/books/search?q=Electronic+music+--+History+and+criticism","dc:title":"Electronic music -- History and criticism"},{"@id":"https://ci.nii.ac.jp/books/search?q=Avant-garde+%28Music%29","dc:title":"Avant-garde (Music)"}],"dcterms:isPartOf":[{"@id":"https://ci.nii.ac.jp/ncid/BA7213218X#entity","dc:title":"New music and aesthetics in the 21st century / edited by Claus-Steffen Mahnkopf, Frank Cox, and Wolfram Schurig, v. 4","@type":"bibo:Book"}],"dcterms:hasPart":[{"@id":"urn:isbn:9783936000153"}]}]}