Literary sociability and literary property in France, 1775-1793 : Beaumarchais, the Société des auteurs dramatiques and the Comédie Française
Author(s)
Bibliographic Information
Literary sociability and literary property in France, 1775-1793 : Beaumarchais, the Société des auteurs dramatiques and the Comédie Française
（Studies in European cultural transition / general editors, Martin Stannard and Greg Walker, v. 33）
Ashgate, c2006
- : hbk
Available at 4 libraries
Note
Includes bibliographical references (p. [170]-177) and index
HTTP:URL=http://www.loc.gov/catdir/toc/ecip0518/2005024710.html Information=Table of contents
Description and Table of Contents
Description
The first full-length, scholarly study of the Societe des auteurs dramatiques (SAD), this book describes the form, the meaning, the achievements, and the failures of the first professional association for creative writers in European history. Founded by the well-known playwright Pierre-Augustin Caron de Beaumarchais in 1777 under the protection of prominent aristocrats at the court of King Louis XVI, the SAD comprised the playwrights most closely associated with the royal theater of the kingdom, the Comedie FranAaise. Its two dozen members discussed and worked to advance both their collective interests under the royal theater regulations (which governed such issues of literary property, creative control, and remuneration) and to promote their public image as playwrights and men of letters more broadly - while at the same time competing with each other, sometimes intensely, for control over that image. Gregory Brown traces the story of the SAD from its conception in the mid-1770s through to the French Revolution, exploring first the Society's founding in 1777, then its trajectory until its dissolution at the end of 1780, and finally discusses a revival of the group during the Revolution. In each chapter, Brown analyzes the strategic efforts of Beaumarchais and his associates, to shape regulations and legislation concerning droits d'auteur (authorial remuneration and literary property) and their efforts to reshape the public status and identity of playwrights through correspondence, print and face-to-face encounters with the troupe of the Comedie FranAaise, the theater's aristocratic supervisors at court, its lawyers and government administrators, its commercial publics, and other, authors. Brown argues against previous treatments of the SAD, which have presented it as a spontaneous, dissident challenge to constituted social and political authority under the Old Regime. He demonstrates instead how the SAD emerged from within existing lines of authority in e
Table of Contents
- Contents: Preface
- Introduction: Men of letters and literary sociability in 18th-century France
- An association of men of letters: the formation of the Society of Dramatic Authors
- Beaumarchais at court: on the civility and cultural power of Gens de lettres
- Playwrights, print and publicity: the success and failure of the SAD in 1780
- Literary sociability and the Revolution: social interests, politics and literary property, July 1789-January 1791
- From liberty to patriotism
- Conclusion: copyright, community and enlightenment
- Select bibliography
- Index.
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