Cinema at the end of empire : a politics of transition in Britain and India

著者

書誌事項

Cinema at the end of empire : a politics of transition in Britain and India

Priya Jaikumar

Duke University Press, 2006

大学図書館所蔵 件 / 全2件

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注記

Includes bibliographical references and index

収録内容

  • Film policy and film aesthetics as cultural archives
  • Acts of transition: the British cinematograph films acts of 1927 and 1938
  • Empire and embarrassment: colonial forms of knowledge about cinema
  • Realism and empire
  • Romance and empire
  • Modernism and empire
  • Historical romances and modernist myths in Indian cinema

内容説明・目次

内容説明

How did the imperial logic underlying British and Indian film policy change with the British Empire's loss of moral authority and political cohesion? Were British and Indian films of the 1930s and 1940s responsive to and responsible for such shifts? Cinema at the End of Empire illuminates this intertwined history of British and Indian cinema in the late colonial period. Challenging the rubric of national cinemas that dominates film studies, Priya Jaikumar contends that film aesthetics and film regulations were linked expressions of radical political transformations in a declining British empire and a nascent Indian nation. As she demonstrates, efforts to entice colonial film markets shaped Britain's national film policies, and Indian responses to these initiatives altered the limits of colonial power in India. Imperially themed British films and Indian films envisioning a new civil society emerged during political negotiations that redefined the role of the state in relation to both film industries.In addition to close readings of British and Indian films of the late colonial era, Jaikumar draws on a wealth of historical and archival material, including parliamentary proceedings, state-sponsored investigations into colonial filmmaking, trade journals, and intra- and intergovernmental memos regarding cinema. Her wide-ranging interpretations of British film policies, British initiatives in colonial film markets, and genres such as the Indian mythological film and the British empire melodrama reveal how popular film styles and controversial film regulations in these politically linked territories reconfigured imperial relations. With its innovative examination of the colonial film archive, this richly illustrated book presents a new way to track historical change through cinema.

目次

List of Illustrations xi Acknowledgments xii Introduction 1 1. Film Policy and Film Aesthetics as Cultural Archives 13 Part One. Imperial Governmentality 2. Acts of Transition: The British Cinematographic Films Acts of 1927 and 1938 41 3. Empire and Embarassment: Colonial Forms of Knowledge about Cinema 65 Part Two. Imperial Redemption 4. Realism and Empire 107 5. Romance and Empire 135 6. Modernism and Empire 165 Part Three. Colonial Autonomy 7. Historical Romances and Modernist Myths in Indian Cinema 195 Notes 239 Bibliography 289 Index of Films 309 General Index 313

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