Rethinking Boucher
Author(s)
Bibliographic Information
Rethinking Boucher
（Issues & debates）
Getty Research Institute, c2006
- : pbk
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Note
"This volume, the fifteenth in the series Issues & debates, evolved from "Everything except the truth? Rethinking Boucher," a symposium organized by the Getty Research Institute and held at the Getty Center, Los Angeles, 23-25 January 2003"--T.p. verso
Includes bibliographical references and index
Description and Table of Contents
Description
Francois Boucher (1703 - 1770) has suffered a curious fate: to have been so identified with the French Rococo as to have lost his visibility as an artist in his own right. "Rethinking Boucher" reclaims the artist's individuality, revealing not only the diversity of his talents but also the variety of visual and intellectual traditions with which he engaged. In part one, "The Various Boucher," Melissa Hyde, Colin Bailey, and Martin Schieder examine the artist's identity in relation to his portraits and self-portraits, his ingenious genre scenes, and his overlooked religious paintings. In part two, "The Unexpected Boucher," Katie Scott, Mark Ledbury, and Mary D. Sheriff focus on the network of social and cultural contexts in which the artist functioned, including the commercial print market, the theaters of Paris, and the contemporary textual explorations of the exotic. In the final part, "The Enlightened Boucher," Rene Demoris, Ewa Lajer-Burcharth, and Thomas M. Kavanagh discuss Boucher's work as a vehicle for Enlightenment visions of the body, whether conjured by Denis Diderot and Jean-Jacques Rousseau or Madame de Pompadour, Boucher's most famous patron.
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