Joyce, Ireland, Britain
著者
書誌事項
Joyce, Ireland, Britain
(The Florida James Joyce series)
University Press of Florida, c2006
大学図書館所蔵 全16件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Joyce, Ireland, Britain is the first collection explicitly and coherently to address Joyce's work in the context of British-Irish historical, political, and cultural relations. Almost wholly comprising contributions by British and Irish scholars, the book theorizes a move toward historical materialism in Joyce studies. Methodologically, it involves a skeptical caution about relations between theoretical models and texts; a turn toward concrete historical analysis; a practice of maximal historical saturation; scrupulous attention to questions of historical discontinuity; and an insistence on historical plausibility or likelihood. In this collection, for the first time, historical materialism in Joyce studies becomes properly self-conscious. The collection is also distinctive in that most contributors do not locate Joyce principally within an international modernist or postmodernist frame. Instead, they prioritize the actual historical contexts immediately indicated by Joyce's texts, asserting the crucial importance to Joyce's work of a detailed knowledge of actual, historical relations between the classes and races in late 19th- and early 20th-century British-Irish society and culture. They are also concerned both with Joyce's significance in and for the contemporary debate about the concept of Britain and British identity, and the implications of the latter for work on Joyce. Focusing on Joyce's relations to specific historical, political, and cultural issues that haunt Britain and Ireland to this day, the collection thus marks a genuinely original shift in Joyce studies and sets new standards for reading Joyce in history.
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