The arts as a weapon of war : Britain and the shaping of the national morale in the Second World War
Author(s)
Bibliographic Information
The arts as a weapon of war : Britain and the shaping of the national morale in the Second World War
(International library of war studies, 5)
Tauris Academic Studies, c2006
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Bibliography: p. [210]-236
Includes index
Description and Table of Contents
Description
An original piece of work on an unusual subject. This work is a strong social and cultural history with new information on many institutions familiar today (e.g. BBC, National Theatre) and it is a fascinating background to the contemporary relationship between government and the arts. In 1834, Lord Melbourne spoke the words that epitomised the British government's attitude towards its own involvement in the arts: 'God help the minister that meddles with Art'. One hundred years later, however, with the onset of World War II, that attitude changed dramatically when 'cultural policy' became a key element of the domestic front. "The Arts as a Weapon of War" traces the evolution of this policy from the creation of the Committee for the Encouragement of Music and the Arts, in 1939, to the drafting of the Arts Council's constitution in 1945. From the improvement of the National Gallery to Myra Hess's legendary concerts during the blitz, Jorn Weingartner provides a fascinating account of the powerful policy shift that laid the foundations for the modern relationship between the government and the arts.
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