Approaches to meaning in music
著者
書誌事項
Approaches to meaning in music
（Musical meaning and interpretation / Robert S. Hatten, editor）
Indiana University Press, c2006
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Includes bibliographical references (p. [215]-226) and index
内容説明・目次
内容説明
Approaches to Meaning in Music presents a survey of the problems and issues inherent in pursuing meaning and signification in music, and attempts to rectify the conundrums that have plagued philosophers, artists, and theorists since the time of Pythagoras. This collection brings together essays that reflect a variety of diverse perspectives on approaches to musical meaning. Established music theorists and musicologists cover topics including musical aspect and temporality, collage, borrowing and association, musical symbols and creative mythopoesis, the articulation of silence, the mutual interaction of cultural and music-artistic phenomena, and the analysis of gesture.
Contributors are Byron Almen, J. Peter Burkholder, Nicholas Cook, Robert S. Hatten, Patrick McCreless, Jann Pasler, and Edward Pearsall.
目次
Contents
1. The Divining Rod: On Imagination, Interpretation, and Analysis Edward Pearsall and Byron Almen
2. Anatomy of a Gesture: From Davidovsky to Chopin and Back Patrick McCreless
3. Anti-Teleological Art: Articulating Meaning through Silence Edward Pearsall
4. The Troping of Temporality in Music Robert S. Hatten
5. A Simple Model for Associative Musical Meaning J. Peter Burkholder
6. Uncanny Moments: Juxtaposition and the Collage Principle in Music Nicholas Cook
7. The Sacrificed Hero: Creative Mythopoesis in Mahler's Wunderhorn Symphonies Byron Almen
8. Contingencies of Meaning in Transcriptions and Excerpts: Popularizing Samson et Dalila Jann Pasler
Bibliography
Index
「Nielsen BookData」 より