Queen as king : politics and architectural propaganda in twelfth-century Spain

Author(s)

    • Martin, Therese

Bibliographic Information

Queen as king : politics and architectural propaganda in twelfth-century Spain

by Therese Martin

(The medieval and early modern Iberian world, v. 30)

Brill, 2006

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Note

Bibliography: p. [237]-275

Includes indexes

Description and Table of Contents

Description

Queen as King traces the origins of San Isidoro in Leon as a royal monastic complex, following its progress as the site changed from a small eleventh-century palatine chapel housed in a double monastery to a great twelfth-century pilgrimage church served by Augustinian canons. Its most groundbreaking contribution to the history of art is the recovery of the lost patronage of Queen Urraca (reigned 1109-1126). Urraca maintained yet subverted her family's tradition of patronage on the site: to understand her history is to hold the key to the art and architecture of San Isidoro. This new approach to San Isidoro and its patronage allows a major Romanesque monument to be understood more fully than before.

Table of Contents

Acknowledgements Chapter One From Patron to Harlot: How Did Queen Urraca Get Here from There? Chapter Two The Establishment of San Isidoro as a Palatine Chapel: Fernando I (d. 1065) and Sancha (d. 1067) Chapter Three The Power of the King's Sister: The Infanta Urraca (d. 1101) and Alfonso VI (d. 1109) Chapter Four Dynastic Propaganda in a Queen's Patronage at San Isidoro: Urraca of Leon-Castilla (reigned 1109-1126) Chapter Five The Painted Cycle of the "Pantheon," c. 1109 Chapter Six The Infanta Sancha (d. 1159), Alfonso VII (d. 1157), and Construction of the Monastic Complex Chapter Seven Queen as King: Urraca of Leon-Castilla (d. 1126), Matilda of England (d. 1167), and Melisende of Jerusalem (d. 1161) Appendix A Capitals Appendix B Masons' Marks Bibliography Index

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