Later Byzantine painting : art, agency, and appreciation
著者
書誌事項
Later Byzantine painting : art, agency, and appreciation
(Variorum collected studies series, CS853)
Ashgate, c2007
大学図書館所蔵 全5件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references and index
内容説明・目次
内容説明
Written over nearly three decades, the fifteen essays involve the three a's of the title, art, agency, and appreciation. The first refers to the general subject matter of the book, Byzantine art, chiefly painting, of the twelfth through the fourteenth centuries, the second to its often human-like agency, and the last to its historical reception. Responding to different issues and perspectives that have animated art history and Byzantine studies in recent decades, the essays have wide theoretical range from art historical formalism, iconography, archaeology and its manuscript equivalent codicology, to statistics, patronage, narratology, and the histories of science and collecting. The series begins with art works themselves and with the imagery and iconography of church decoration and manuscript illumination, shifts to the ways that objects act in the world and affect their beholders, and concludes with more general appreciations of Byzantine art in case studies from the thirteenth century to the present.
目次
- Contents: Introduction. Later Byzantine Painting: The Church of the Chora and Palaiologan Art: Taxation with representation. Visual narrative and the political field of the Kariye Camii
- The Chora and the Great Church: intervisuality in 14th-century Constantinople
- Heavenly allies at the Chora
- Tales of two cities: the patronage of early Palaeologan art and architecture in Constantinople and Thessaloniki. Manuscript Illumination: Theoktistos and associates in 12th-century Constantinople: an illustrated New Testament of 1133 A.D.
- Relative size and comparative value in Byzantine illuminated manuscripts: some quantitative perspectives
- The Palaeologina group: additional manuscripts and new questions
- A Byzantine gospel book of 1262 A.D.: Paris, Gr. 117
- A 13th-century Byzantine miniature in the Vatican library. Agency: Michael the Monk and his gospel book
- The discourse of icons, then and now
- To say and to see: ekphrasis and vision in Byzantium. Appreciation: The manuscripts of Antonios Malakes and the collecting and appreciation of illuminated books in the early Palaeologan period
- The Italian appreciation and appropriation of illuminated Byzantine manuscripts, c. 1200-1450
- Living on the Byzantine borders of Western art. Index.
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