Catch and glee culture in eighteenth-century England
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Bibliographic Information
Catch and glee culture in eighteenth-century England
Boydell Press, 2006
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Includes bibliographical references (p. [165]-168) and index
Description and Table of Contents
Description
A ground-breaking study of the rise of the catch and glee in Georgian England.
The rise of the catch and glee in Georgian England represents a rare example of indigenous forms establishing themselves within a wide musical and social context. This study examines a phenomenon that has to date been largely overlooked by historians. Taking the 17th-century background as a starting point, it moves on to a detailed account of the clubs formed to propagate the two genres, placing them within the ambiance of the thriving club life of Londonand the provinces. The success of the London Catch Club and its emulators in encouraging the creation of a large and popular repertoire that would come to assume nationalistic significance is reflected by the incursion of the catch and glee into mainstream concert life and the theatre. The volume concludes with a discussion of the glee in relation to the aesthetics of the period and a brief survey of its subsequent reputation among musicians and historians.
Table of Contents
A Thoroughly English Music: The Seventeenth-Century Background and Early Clubs
Club Life in Eighteenth-Century London - The Academy of Vocal Music and The Madrigal Society
The Catch Club
The Expansion of London Catch Club Culture
Provincial Catch and Glee Clubs
The Catch and Glee in Other Performance Contexts
The Glee: Aesthetics, Form and Poetry
Epilogue: Later Reception of the Eighteenth-Century Catch and Glee
Appendices
Bibliography
Index
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