African filmmaking : north and south of the Sahara
著者
書誌事項
African filmmaking : north and south of the Sahara
Indiana University Press, 2006
- : pbk
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注記
Includes bibliographical references (p. 201-214) and index
内容説明・目次
内容説明
African cinema is a vibrant, diverse, and relatively new art form, which continues to draw the attention of an ever-expanding worldwide audience. African Filmmaking is the first comprehensive study in English linking filmmaking in the Maghreb with that in the 12 independent states of francophone West Africa. Roy Armes examines a wide range of issues common to filmmakers throughout the region: the socio-political context, filmmaking in Africa before the mid-1960s, the involvement of African and French governments, questions of national and cultural identity, the issue of globalization, and, especially, the work of the filmmakers themselves over the past 40 years, with particular emphasis on younger filmmakers. Armes offers a wealth of information and a unique perspective on the history and future of African filmmaking.
目次
Acknowledgements List of Acronyms Introduction 1. The African Experience Part I. Context 2. Beginnings 3. African Initiatives 4. The French Connection Part II. Confronting Reality 5. Liberation and Postcolonial Society 6. Individual Struggle Part III. New Identities 7. Experimental Narratives 8. Exemplary Tales Part IV. The New Millennium 9. The Post-Independence Generation 10. Mahamat Saleh Haroun (Chad) 11. Dani Kouyate (Burkina Faso) 12. Raja Amari (Tunisia) 13. Faouzi Bensaidi (Morocco) 14. Abderrahmane Sissako (Mauritania) Bibliography
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