Speaking in images : interviews with contemporary Chinese filmmakers

Bibliographic Information

Speaking in images : interviews with contemporary Chinese filmmakers

Michael Berry ; [foreword by Martin Scorsese]

(Global Chinese culture)

Columbia University Press, c2005

  • : cloth
  • : pbk

Available at  / 5 libraries

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Note

Includes bibliographical references

Description and Table of Contents

Description

"I always compare filmmaking to cooking. Shooting is like buying the groceries. You buy all kinds of ingredients and the better ingredients you get, the better chance you have of making the movie you want."-Ang Lee, from Speaking in Images Speaking in Images offers an engaging and rare collection of interviews with the directors who have changed the face of Chinese and international cinema. Michael Berry's discussions with such directors as Ang Lee (Crouching Tiger, Hidden Dragon), Zhang Yimou (Hero), Chen Kaige (Farewell My Concubine), Stanley Kwan (Lan Yu), Tsai Ming-Liang (Vive l'Amour), Edward Yang (Yi Yi), and Hou Hsiao-hsien (Flowers of Shanghai) offer an eclectic and comprehensive portrait of contemporary Chinese cinema. In interviews that capture each filmmaker's unique vision, the subjects discuss their formative years, the ideas and influences that shaped their work, film aesthetics, battles with censors and studios, the mingling of commercial and art film, and the future of Chinese cinema in a transnational context. Berry's introduction to the collection provides an overview of Chinese cinema in the second half of the twentieth century, placing the directors and their work in a wider historical and cultural context.

Table of Contents

Foreword by Martin Scorsese Acknowledgments Author's Note Introduction: Speaking in Images I. Voices from China Xie Jin: Six Decades of Cinematic Innovation Tian Zhuangzhuang: Stealing Horses and Flying Kites Chen Kaige: Historical Revolution and Cinematic Rebellion Zhang Yimou: Flying Colors Zhang Yuan: Working up a Sweat in a Celluloid Sauna Wang Xiaoshuai: Banned in China Jia Zhangke: Capturing a Transforming Reality Li Yang: The Future of Chinese Cinema? II. Voices from Taiwan Hou Hsiao-hsien with Chu Tien-wen: Words and Images Edward Yang: Luckily Unlucky Wu Nien-jen: Writing Taiwan in the Shadows of Cultural Colonialism Ang Lee: Freedom in Film Tsai Ming-liang: Trapped in the Past Chang Tso-chi: Shooting from the Margins III. Voices from Hong Kong Ann Hui: Living Through Films Stanley Kwan: From Spectral Nostalgia to Corporeal Desire Fruit Chan: Hong Kong Independent Peter Ho-sun Chan: Pioneering Pan-Asian Cinema Evans Chan: The Last of the Chinese Notes Bibliography

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