Art, anti-art, non-art : experimentations in the public sphere in postwar Japan 1950-1970 芸術 反芸術 非芸術

書誌事項

Art, anti-art, non-art : experimentations in the public sphere in postwar Japan 1950-1970 = 芸術 反芸術 非芸術

edited by Charles Merewether with Rika Iezumi Hiro ; with essays by Charles Merewether and Reiko Tomii

Getty Research Institute, c2007

タイトル読み

Art, anti-art, non-art : experimentations in the public sphere in postwar Japan 1950-1970 = ゲイジュツ ハンゲイジュツ ヒゲイジュツ

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注記

Catalog of an exhibition held at the Getty Research Institute, Los Angeles, Mar. 6-June 3, 2007

Includes bibliographical references and index

内容説明・目次

内容説明

Collaborative, ephemeral, self-reflective, multidisciplinary - the work generated by the rapid series of experimental artistic movements that energized the public sphere in postwar Japan was totally unexpected. For two decades, a small but progressive group of visual artists, musicians, dancers, theatre performers and writers confronted the legacy left behind by Japan's involvement in World War II. "Art, Anti-Art, Non-Art" offers an introduction to this highly charged and innovative era in Japanese art. This unique volume features rare objects, books, periodicals, photographs and other ephemera created by artists associated with the various movements of the period, including the Experimental Workshop, Tokyo Fluxus, and Neo Dada.

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