Henry James goes to Paris
著者
書誌事項
Henry James goes to Paris
Princeton University Press, c2007
- : pbk
大学図書館所蔵 全23件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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注記
Includes bibliographical references (p. [233]-239) and index
内容説明・目次
内容説明
Henry James' reputation as The Master is so familiar that it's hard to imagine he was ever someone on whom some things really were lost. This is the story of the year - 1875 to 1876 - when the young novelist moved to Paris, drawn by his literary idols living at the center of the early modern movement in art. As Peter Brooks skillfully recounts, James largely failed to appreciate or even understand the new artistic developments teeming around him during his Paris sojourn. But living in England twenty years later, he would recall the aesthetic lessons of Paris, and his memories of the radical perspectives opened up by French novelists and painters would help transform James into the writer of his adventurous later fiction. It is a narrative that combines biography and criticism and uses James' writings to tell the story from his point of view, "Henry James Goes to Paris" vividly brings to life the young American artist's Paris year - and its momentous artistic and personal consequences. James' Paris story is one of enchantment and disenchantment.
He initially loved Paris, he succeeded in meeting all the writers he admired (Turgenev, Flaubert, Zola, Maupassant, Goncourt, and Daudet), and he witnessed the latest development in French painting, Impressionism. But James largely found the writers disappointing, and he completely misunderstood the paintings he saw. He also seems to have fallen in and out of love in a more ordinary sense - with a young Russian aesthete, Paul Zhukovsky. Disillusioned, James soon retreated to England - for good. But James would eventually be changed forever by his memories of Paris.
目次
Introduction 1 Chapter 1. To Paris 7 2. The Dream of an Intenser Experience 53 Chapter 3. What a Droll Thing to Represent 79 Chapter 4. Flaubert's Nerds 101 Chapter 5. The Quickened Notation of Our Modernity 129 Chapter 6. The Death of Zola, Sex in the French Novel, and the Improper 156 Chapter 7. For the Sake of This End 177 Epilogue: Chariot of Fire 205 Notes 211 Bibliography 233 Acknowledgments 241 Index 243
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