Critical readings in impressionism and post-impressionism : an anthology

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書誌事項

Critical readings in impressionism and post-impressionism : an anthology

edited by Mary Tompkins Lewis

（Ahmanson・Murphy fine arts imprint）

University of California Press, c2007

  • : cloth
  • : pbk

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注記

Includes bibliographical references (p. 323-330) and index

内容説明・目次

巻冊次

: cloth ISBN 9780520240100

内容説明

The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. The contributors include Carol Armstrong, T.J.Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward.
巻冊次

: pbk ISBN 9780520250222

内容説明

The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France - including detailed looks at Monet, Manet, Pissarro, Degas, Cezanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors of this title include: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, and Martha Ward.

目次

Preface Introduction: The Critical History of Impressionism: An Overview MARY TOMPKINS LEWIS Part One Background Studies: Economic Landscapes and Exhibition Strategies 1 Impressionism, Originality, and Laissez-Faire ROBERT L. HERBERT 2 Dealing in Temperaments: Economic Transformation of the Artistic Field in France during the Second Half of the Nineteenth Century NICOLAS GREEN 3 Impressionist Installations and Private Exhibitions MARTHA WARD Part Two Landscapes of Modernity 4 Framing the Landscape JOHN HOUSE 5 The Environs of Paris T.J. CLARK Part Three The Critical Climate 6 The Intransigent Artist or How the Impressionists Got Their Name STEPHEN F. EISENMAN 7 Duranty on Degas: A Theory of Modern Painting CAROL ARMSTRONG 8 Berthe Morisot and the Feminizing of Impressionism TAMAR GARB Part Four Impressionism, Politics, and Nationalism 9 Camille Pissarro in 1880: An Anarchistic Artist in Bourgeois Society MICHEL MELOT 10 Monet and the Challenges to Impressionism in the 1880s PAUL TUCKER Part Five Recent Studies in Post-Impressionist Painting 11 Seurat's Grande Jatte: An Anti-Utopian Allegory LINDA NOCHLIN 12 At the Threshold of Symbolism: Van Gogh's Sower and Gauguin's Vision after the Sermon DEBORA SILVERMAN 13 Mark, Motif, Materiality: The Cezanne Effect in the Twentieth Century RICHARD SHIFF Select Bibliography Contributors List of Illustrations Index

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