Queering creole spiritual traditions : lesbian, gay, bisexual, and transgender participation in African-inspired traditions in the Americas

Bibliographic Information

Queering creole spiritual traditions : lesbian, gay, bisexual, and transgender participation in African-inspired traditions in the Americas

Randy P. Conner, with David Hatfield Sparks ; [foreword by Joseph M. Murphy]

(Haworth gay & lesbian studies)

Harrington Park Press, c2004

  • : pbk

Available at  / 2 libraries

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Note

Includes bibliographical references (p. 339-359) and index

Description and Table of Contents

Description

What roles do queer and transgender people play in the African diasporic religions? Queering Creole Spiritual Traditions: Lesbian, Gay, Bisexual, and Transgender Participation in African-Inspired Traditions in the Americas is a groundbreaking scholarly exploration of this long-neglected subject. It offers clear insight into the complex dynamics of gender and sexual orientation, humans and deities, and race and ethnicity, within these richly nuanced spiritual practices. Queering Creole Spiritual Traditions explores the ways in which gender complexity and same-sex intimacy are integral to the primary beliefs and practices of these faiths. It begins with a comprehensive overview of Vodou, Santeria, and other African-based religions. The second section includes extensive, revealing interviews with practitioners who offer insight into the intersection of their beliefs, their sexual orientation, and their gender identity. Finally, it provides a powerful analysis of the ways these traditions have inspired artists, musicians, and writers such as Audre Lorde, as well as informative interviews with the artists themselves. In Queering Creole Spiritual Traditions, you will discover: how the presence of androgynous divinities affects both faith and practice in Vodou, Candomble, Santeria, and other Creole religions how the phenomenon of possession or embodiment by a god or goddess may validate queer identity and nurture gender complexity who practices the African-derived spiritual traditions, what they believe, and who their deities are how these faiths have influenced the art and aesthetic traditions of the West This landmark book opens a fascinating new world of thought and belief. The authors provide rigorous documentation and faultless scholarly method as well as personal experience and the testimony of believers. Queering Creole Spiritual Traditions sheds new light on two widely different fields: LGBT studies and the theology of the African diaspora. A thorough bibliography points the way to further study, and an extensive photograph gallery provides a unique look at the believers and their practices. Every library with holdings in queer theory, African mythology, or sociology of religion should have this landmark volume.

Table of Contents

Foreword Acknowledgments Introduction Background Overview of Book A Note About Terms Chapter 1. Sources Creole Spiritual Traditions: A Bird's-Eye View Sexual and Gender Complexity in Yorubaland? Other Possible African Influences Possible Indigenous Influences of the Western Hemisphere Chapter 2. Divinities and Spirits Lwa of Vodou Orishas of Yoruba-Diasporic Spiritual Traditions Spirits of Brazil Chapter 3. Children of the Spirits Divine Horses Masisi and Madivin Bigotry in the Vodou Community A Bridge of the Spirits Ades, Ekedes, and Others Practitioners of Lucumi/Santeria and Related Religions Drag Queens, Transgender Persons, Transsexuals Prohibitions and Discrimination with Yoruba-Diasporic and Allied Communities Divination and Interpretation Challenges and Transformations Relationships and Ceremonies of Union HIV/AIDS, Afro Ashe, and Odo Ya Notions of Self in African-Inspired Spiritual Traditions Chapter 4. Snapshots Practitioners of Vodou Practitioners of Lucumi/Santeria/Regla de Ocha, and Other Cuban- and Puerto Rican-Linked Traditions Practitioners of Candomble and Other Brazilian Traditions Practioners of Orisha Reverence, the Ifa Tradition, and Bridge-Builders Chapter 5. To Make the Spirit Manifest Literature Music Visual Arts Conclusion Appendix A. Questionnaire Appendix B. Interviews and Correspondence Glossary Bibliography Index Reference Notes Included

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