Photographing the Holocaust : interpretations of the evidence
著者
書誌事項
Photographing the Holocaust : interpretations of the evidence
I.B. Tauris, 2003
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [233]-243) and index
内容説明・目次
内容説明
Atrocities committed by the Nazis during the Holocaust were photographed more intensely that any before. In the time since the images were taken they have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and above all exploited for propaganda purposes. With the use of many photographs, including some never before seen, this book traces the history of this process and asks whether the images can be true representations of the events they were depicting. Yet their provenance, Janina Struk argues, has been less important that the uses to which a wide range of political interests has put them, from the desperate attempts of the war-time underground to provide hard evidence of the death camps to the memorial museums of Europe, the US and Israel today.
目次
- Atrocities committed by the Nazis during the Holocaust were photographed more intensively than any others, before or since. These images have been subjected to a perplexing variety of treatments: variously ignored, suppressed, distorted and above all exploited for propaganda purposes or political interest. Struk suggests that their provenance - whether taken by the Nazis or their collaborators or by the Jews themselves, their sympathisers and the resistance movements in the occupied territories
- or by the Allied forces at the end of the war - has been seen as of secondary importance to their meaning. She recounts the history of the use and abuse of Holocaust photographs and asks whether or not these images can serve as true representations of the events they depict. The questions explored are illustrated with a wide range of photographs, including a number never published before.
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