Into seeing new : the art of Roger Hilton
著者
書誌事項
Into seeing new : the art of Roger Hilton
Tate St Ives, c2006
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
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  アメリカ
注記
Exhibition catalogue
"This catalogue has been published to accompany the exhibition 'Into seeing new the art of Roger Hilton', 7 October 2006-21 January 2007"--Colophon
Biography: p. 52
List of works: p. 54-55
内容説明・目次
内容説明
Roger Hilton began constructing bold designs of irregular shapes in strong colours in the 1950s, influenced by art informel, by his friend the Dutch artist Constant, and by the works of Mondrian. However, his association with the artists in St Ives - consolidated by his frequent visits to the town from the late 1950s - undoubtedly underpinned the landscape associations apparent in his work of the period. Hilton's use of rich colour and texture, evoking the rhythms of natural phenomena, led to an affinity with the modernists working in St Ives during the period. The colourful and dynamic images of women he created successfully bridged the gap between abstraction and figuration and also between images of the figure and the landscape. His significance to and influence on the colony was reinforced by his move to St Just in 1965. Accompanying an exhibition at Tate St Ives, this finely produced catalogue highlights key aspects of Hilton's artistic development and explains his importance in the history of British painting.
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