Holographic visions : a history of new science
著者
書誌事項
Holographic visions : a history of new science
Oxford University Press, 2006
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes bibliographical references (p. [447]-487) and index
内容説明・目次
内容説明
Holography exploded on the scientific world in 1964, but its slow fuse had been burning much longer. Over the next four decades, the echoes of that explosion reached scientists, engineers, artists and popular culture. Emerging from classified military research, holography evolved to represent the power of post-war physics, an aesthetic union of art and science, the countercultural meanderings of holism, a cottage industry for waves of would-be entrepreneurs and a
fertile plot device for science fiction.
New working cultures sprang up to mutate holography, redefining its products, reshaping its audiences and reconceiving its applications. The outcomes included ever more sublime holograms and exquisitely sensitive measuring techniques - but also priority disputes, prurience and poisonous business rivalries.
New subjects cross intellectual borders, and so do their explanations. This book draws on the history and philosophy of science and technology, social studies, politics and cultural history to trace the trajectory of holography. The result is an in-depth account of how new science emerges. Based on unprecedented interviews with pioneer holographers and extensive archival research, it reveals how science, technology, art and wider culture are entwined in the modern world.
目次
- 1. Introduction
- Part A: Creating a Subject
- 2. Wavefront reconstruction in Britain and beyond
- 3. Wave photography in the Soviet Union
- 4. Lensless photography in America
- 5. Constructing holography
- Part B: Creating a Medium
- 6. Early exploitation
- 7. Technology of the sublime: the versatile hologram
- Part C: Creating an Identity
- 8. Defining the scientific holographer
- 9. Culture and counterculture: the artisanal holographer
- 10. Aesthetic holographers and their art
- 11. Building holographic communities
- Part D: Creating a Market
- 12. Commercialisation and ubiquity
- 13. The hologram and popular culture
- 14. Conclusion: creative visions
- Bibliography
- Appendix
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