The AIDS crisis is ridiculous and other writings : 1986-2003
著者
書誌事項
The AIDS crisis is ridiculous and other writings : 1986-2003
(MIT Press writing art series)
MIT Press, c2004
- : pbk
大学図書館所蔵 全3件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Video/filmography: p. 295-297
Includes bibliographical references (p. 298-302) and index
内容説明・目次
内容説明
The first collection of writings by a noted artist and activist whose work has focused on the AIDS epidemic.
The HIV epidemic animates this collection of essays by a noted artist, writer, and activist. "So total was the burden of illness-mine and others'-that the only viable response, other than to cease making art entirely, was to adjust to the gravity of the predicament by using the crisis as a lens," writes Gregg Bordowitz, a film- and video-maker whose best-known works, Fast Trip Long Drop (1993) and Habit (2001), address AIDS globally and personally. In The AIDS Crisis Is Ridiculous-the title essay is inspired by Charles Ludlam, founder of the Ridiculous Theater Company-Bordowitz follows in the tradition of artist-writers Robert Smithson and Yvonne Rainer by making writing an integral part of an artistic practice.
Bordowitz has left his earliest writings for the most part unchanged-to preserve, he says, "both the youthful exuberance and the palpable sense of fear" created by the early days of the AIDS crisis. After these early essays, the writing becomes more experimental, sometimes mixing fiction and fact; included here is a selection of Bordowitz's columns from the journal Documents, "New York Was Yesterday." Finally, in his newest essays he reformulates early themes, and, in "My Postmodernism" (written for Artforum's fortieth anniversary issue) and "More Operative Assumptions" (written especially for this book), he reexamines the underlying ideas of his practice and sums up his theoretical concerns.
In his mature work, Bordowitz seeks to join the subjective-the experience of having a disease-and the objective-the fact of the disease as a global problem. He believes that this conjunction is necessary for understanding and fighting the crisis. "If it can be written," he says, "then it can be realized."
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