Gordon Matta-Clark : you are the measure
著者
書誌事項
Gordon Matta-Clark : you are the measure
Whitney Museum of American Art , Yale University Press, 2007
- : hbk
- タイトル別名
-
Gordon Matta Clark
大学図書館所蔵 全12件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalogue of an exhibition at the Whitney Museum of American Art, February 22-June 3, 2007, the Museum of Contemporary Art, Los Angeles, June-September, 2007
Includes bibliographical references (p. 228-229) and index
内容説明・目次
内容説明
Qualifying the ancient Greek saying 'Man is the measure', Gordon Matta-Clark (1943-1978) asserted instead 'You are the measure', conveying the defining theme in an oeuvre that would exert a powerful influence on fellow artists and architects. In artworks that combined minimalist, conceptual, and performative practices, Matta-Clark gave primary importance to the individual and considerations of everyday life. This comprehensive book incorporates important new information from the Matta-Clark archive, presenting a compelling reappraisal of the unique beauty and radical nature of Matta-Clark's punnings, plans, performances, and interventions evident in the many media in which he worked: sculptural objects (most notably from building cuts), drawings, films, photographs, and documentary material. The son of Chilean Surrealist painter Roberto Matta and godson of Marcel Duchamp, Matta-Clark trained as an architect. He is renowned for his poignant use of urban landscapes, creating many site-specific works (often outside of a museum or gallery context) in New York.
In this handsome book, distinguished scholars of contemporary art provide new insights into Matta-Clark's work: the reception of his art during his lifetime; the impact of his socially engaged lifestyle; the significance of his European contacts; his photography, in particular his collages that have not been thoroughly explored; his preoccupation with food and communal eating; and much more.
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