Picasso und das Theater Picasso and the theater
著者
書誌事項
Picasso und das Theater = Picasso and the theater
Hatje Cantz, c2006
- タイトル別名
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Picasso and the theater
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注記
Catalog of the exhibition held at the Schirn Kunsthalle Frankfurt, Oct. 21, 2006-Jan. 21, 2007
Includes bibliographical references (p. 276-277)
Text in German and English
内容説明・目次
内容説明
Forty years ago, the first time anyone thought to consider Picasso's theatrical work as a unified portfolio, Jean Cassou, then the Director of the Musee d'Arte Moderne in Paris, observed that the work occupied "a great place in his career. His whole genius, his entire work, including his still lifes, have a theatrical character." In his early years, Picasso discovered the theater as a source of inspiration and motifs. His subjects frequently came from carnivals and vaudeville, and he reveled in the conventions of commedia dell'arte figures such as the Harlequin and Pierrot. This fascination was not only reflected in the motifs of Picasso's countless paintings and drawings: Beginning in 1917, he began working intensively with Diaghilev's Ballets Russes, creating his now-famous sets and costumes for the troupe. For Picasso, the stage proved to be an extraordinarily fertile ground, and performance the subject of ever more paintings and sculptures. Picasso and the Theatre features over 80 works dating between 1900 and 1930, and taps an elemental passion of this universally revered artist.
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