The Japanese "new woman" : images of gender and modernity
著者
書誌事項
The Japanese "new woman" : images of gender and modernity
Rutgers University Press, c2007
- : hardcover
- : pbk
大学図書館所蔵 全35件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
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  ノルウェー
  アメリカ
注記
Bibliography: p. 159-171
Includes index
内容説明・目次
- 巻冊次
-
: hardcover ISBN 9780813540450
内容説明
The dawn of the twentieth century in Japan witnessed the rise of a peculiar problem: the "Woman Problem." This, at least, was the term used in an ongoing debate among the government and various intellectuals over how to define gender roles. While the government worked hard to promote the "good wife, wise mother" paradigm, certain female members of society had other notions about how to engage with their world. In "The Japanese "New Woman,"" Dina Lowy focuses on this new female image as it was revealed, discussed, and debated in popular newspapers and magazines in the 1910s, as well as on the lives of a specific group of women - members of the feminist literary organization known as the Seitosha. These women drew on a variety of sources, including Zen training, Western writings and ideas, and Japanese morals and arts as they tried to open up new spaces for female activity beyond the confines of the home. Lowy shows how the Seitosha set a precedent that would be emulated in the decades to follow as Japanese women continued to question the patriarchal order, experiment with alternative visions, and pursue their rights in a variety of forms.
This work also provides a context for comparative studies of New Women, gender debates, and the modernizing process.
- 巻冊次
-
: pbk ISBN 9780813540467
内容説明
The dawn of the twentieth century in Japan witnessed the rise of a peculiar problem: the "Woman Problem." This, at least, was the term used in an ongoing debate among the government and various intellectuals over how to define gender roles. While the government worked hard to promote the "good wife, wise mother" paradigm, certain female members of society had other notions about how to engage with their world.
In The Japanese "New Woman," Dina Lowy focuses on this new female image as it was revealed, discussed, and debated in popular newspapers and magazines in the 1910s, as well as on the lives of a specific group of women-members of the feminist literary organization known as the Seitosha. These women drew on a variety of sources, including Zen training, Western writings and ideas, and Japanese morals and arts as they tried to open up new spaces for female activity beyond the confines of the home. Lowy shows how the Seitosha set a precedent that would be emulated in the decades to follow as Japanese women continued to question the patriarchal order, experiment with alternative visions, and pursue their rights in a variety of forms. This work also provides a context for comparative studies of New Women, gender debates, and the modernizing process.
目次
New women, gender, and modernizing Japan
Nora: the new woman debate begins
Magda: new woman censored
Sexuality: new women behaving badly
Discourse: "I am a new woman"
Rivalry: "true new women" emerge
New women and beyond
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