Studying Shakespeare on film

著者

書誌事項

Studying Shakespeare on film

Maurice Hindle

Palgrave Macmillan, 2007

  • : pbk
  • : hardback

大学図書館所蔵 件 / 全14件

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注記

Includes bibliographical references (p. 248-252) and index

内容説明・目次

巻冊次

: pbk ISBN 9781403906724

内容説明

This is a 'hands-on' introductory guide to analyzing and discussing Shakespeare on screen. Part one establishes the differences between Shakespeare on stage and film, with Part two providing a historical introduction to Shakespeare on film. Part three explores the key modes and genre conventions used in Shakespeare on film. Part four contains a series of critical essays, while Part Five discusses Shakespeare on TV. At every stage, students are provided with critical knowledge and vocabulary to analyze Shakespeare on screen.

目次

List of Illustrations Acknowledgements Abbreviations/Acronyms Introduction PART I: SHAKESPEARE AND THE LANGUAGE OF FILM Filming and Staging Shakespeare: Some Contrasts The Audience: Individual and Collective Experience The Space of the Movie Screen Imagery: Verbal and Visual Putting It All Together PART II: THE HISTORY OF SHAKESPEARE ON FILM 1899-2005 Silent Shakespeare The Thirties: Hollywood Shakespeare The Forties: Olivier and Welles The Fifties: Postwar Diversity The Sixties and Seventies: Cultural Revolution, Filmic Innovation The Nineties: Branagh's Renaissance and the Shakespeare on Film Revival 2000 and Beyond: Shakespeare on Film in the New Millennium PART III: COMMUNICATING SHAKESPEARE ON FILM: MODES, STYLES, GENRES The Theatrical Mode The Realistic Mode The Filmic Mode The Periodising Mode Film Genre: Conventions and Codes Genre Conventions and the Shakespeare Film Adaptation A Cross-cultural Shakespeare Adaptation: Kurosawa's Kumonosu-Djo (The Castle of the Spider's Web: Throne of Blood) PART IV: SHAKESPEARE ON FILM: CRITICAL ESSAYS Comedies: Much Ado About Nothing, A Midsummer Night's Dream Histories: Henry V, Richard III Tragedies: Romeo and Juliet, Hamlet, Macbeth PART V: SHAKESPEARE ON TELEVISION Film and TV: The Key Differences The BBC-TV Series: Shooting the Complete Canon TV Shakespeare: The Stage/Screen Hybrid Appendix 1: Box Office Data for Selected Shakespeare Film Adaptations on Theatrical Release in US Movie Theatres from 1989 Appendix 2: Kenneth Branagh's Much Ado About Nothing (1993): Structure of Emotional Registers and Rhythms References Suggested Further Reading List of Films Discussed Some Useful Websites Glossary of Terms Index
巻冊次

: hardback ISBN 9781403906731

内容説明

This is a 'hands-on' introductory guide to analyzing and discussing Shakespeare on screen. Part one establishes the differences between Shakespeare on stage and film, with Part two providing a historical introduction to Shakespeare on film. Part three explores the key modes and genre conventions used in Shakespeare on film. Part four contains a series of critical essays, while Part five discusses Shakespeare on TV. At every stage, students are provided with critical knowledge and vocabulary to analyze Shakespeare on screen.

目次

List of Illustrations - Acknowledgements - Abbreviations/Acronyms - Introduction - PART I: SHAKESPEARE AND THE LANGUAGE OF FILM - Filming and Staging Shakespeare: Some Contrasts - The Audience: Individual and Collective Experience - The Space of the Movie Screen - Imagery: Verbal and Visual - Putting It All Together - PART II: THE HISTORY OF SHAKESPEARE ON FILM 1899-2005 - Silent Shakespeare - The Thirties: Hollywood Shakespeare - The Forties: Olivier and Welles - The Fifties: Postwar Diversity - The Sixties and Seventies: Cultural Revolution, Filmic Innovation - The Nineties: Branagh's Renaissance and the Shakespeare on Film Revival - 2000 and Beyond: Shakespeare on Film in the New Millennium - PART III: COMMUNICATING SHAKESPEARE ON FILM: MODES, STYLES, GENRES - The Theatrical Mode - The Realistic Mode - The Filmic Mode - The Periodising Mode - Film Genre: Conventions and Codes - Genre Conventions and the Shakespeare Film Adaptation - A Cross-cultural Shakespeare Adaptation: Kurosawa's Kumonosu-Djo (The Castle of the Spider's Web: Throne of Blood) - PART IV: SHAKESPEARE ON FILM: CRITICAL ESSAYS - Comedies: Much Ado About Nothing, A Midsummer Night's Dream - Histories: Henry V, Richard III - Tragedies: Romeo and Juliet, Hamlet, Macbeth - PART V: SHAKESPEARE ON TELEVISION - Film and TV: The Key Differences - The BBC-TV Series: Shooting the Complete Canon - TV Shakespeare: The Stage/Screen Hybrid - Appendix 1: Box Office Data for Selected Shakespeare Film Adaptations on Theatrical Release in US Movie Theatres from 1989 - Appendix 2: Kenneth Branagh's Much Ado About Nothing (1993): Structure of Emotional Registers and Rhythms - References - Suggested Further Reading - List of Films Discussed - Some Useful Websites - Glossary of Terms - Index

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