Historical dictionary of French cinema
著者
書誌事項
Historical dictionary of French cinema
(Historical dictionaries of literature and the arts, no. 15)
Scarecrow Press, 2007
- : hardcover
大学図書館所蔵 全8件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Bibliography: p. 425-457
内容説明・目次
内容説明
It can be argued that cinema was created in France by Louis Lumiere in 1895 with the invention of the cinematographe, the first true motion-picture camera and projector. While there were other cameras and devices invented earlier that were capable of projecting intermittent motion of images, the cinematographe was the first device capable of recording and externally projecting images in such a way as to convey motion. Early films such as Lumiere's La Sortie de l'usine, a minute-long film of workers leaving the Lumiere factory, captured the imagination of the nation and quickly inspired the likes of Georges Melies, Alice Guy, and Charles Pathe. Through the years, French cinema has been responsible for producing some of the world's best directors-Jean Renoir, Jean-Luc Godard, Francois Truffaut, and Louis Malle-and actors-Charles Boyer, Catherine Deneuve, Gerard Depardieu, and Audrey Tautou. The Historical Dictionary of French Cinema covers the history of French film from the silent era to the present in a concise and up to date volume detailing the development of French cinema and major theoretical and cultural issues related to it. This is done through a chronology, an introduction, photographs, a bibliography, and hundreds of cross-referenced dictionary entries on many of the major actors, directors, films, movements, producers, and studios associated with French cinema. Going beyond mere biographical information, entries also discuss the impact and significance of each individual, film, movement, or studio included. This detailed, scholarly analysis of the development of film in France is useful to both the novice and the expert alike.
目次
Part 1 Editor's Foreword Part 2 Preface Part 3 Reader's Note Part 4 Acronyms and Abbreviations Part 5 Chronology Part 6 Introduction Part 7 THE DICTIONARY Part 8 Bibliography Part 9 About the Authors
「Nielsen BookData」 より