Others and outcasts in early modern Europe : picturing the social margins
著者
書誌事項
Others and outcasts in early modern Europe : picturing the social margins
Ashgate, 2007
大学図書館所蔵 全11件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Includes index
HTTP:URL=http://www.loc.gov/catdir/toc/ecip071/2006030605.html Information=Table of contents only
内容説明・目次
内容説明
Others and Outcasts in Early Modern Europe is the first book to focus directly on the visual representation of marginal and outcast people in early modern Europe. The volume offers a comprehensive and groundbreaking analysis of a wide range of images featuring Jews and Turks, roguish beggars, syphilitics and plague victims, the 'deserving poor', toothpullers, beggar philosophers, black slaves, itinerant actors and street hawkers. Its broad geographical and chronological scope allows the reader to build a wider picture of visual strategies and conventions for the depiction of the poor and the marginal as they developed in countries such as Germany, the Netherlands, Italy, Spain, Britain and Ireland. While such types had often been depicted in earlier centuries, the essays show that they came to play a newly significant and formative role in European art between 1500 and 1750. Marking a clear departure from much previous scholarship on the subject - which has tended to view representations of poverty as passive by-products of non-visual forces - these essays place the image itself at the centre of the investigation. The studies show that many depictions of socially marginal people operated in essentially hegemonic fashion, as a way of controlling or fixing the social and moral identity of those living on the edge. At the same time, they also reveal the inventiveness and originality of many early modern artists in dealing with this subject matter, showing how the sophisticated visuality of their representations could render meaning ambiguous in relation to such controlling discourses.
目次
- Contents: Introduction, Tom Nichols. Part I Others and Outcasts in Northern Art of the 16th Century: Picturing antichrist and others in the Prado 'Epiphany' by Hieronymous Bosch, Debra Higgs Strickland
- The vagabond image: representing false beggars in northern art of the 16th century, Tom Nichols. Part II Imagery of the Deserving and Institutionalised Poor in Italian Art: Poor substitutes: imaging disease and vagrancy in Renaissance Venice, Philip Cottrell
- Poverty and papal piety in Rome, ca.1600: painting, pastoralism, and spectacle, Peter Higginson
- Blindness, lameness and mendicancy in Italy (XIV-XVIII centuries), Livio Pestilli. Part III Insiders/Outsiders: Visualising the Social Margins: The Caravaggesque toothpuller, John Gash
- Relics of the Golden Age: the vagabond philosopher, Helen Langdon
- Constructing the black slave in early modern Spanish painting, Carmen Fracchia
- 'Some tymes J have a shillinge aday, and some tymes nothinge, so that J leve in great poverty': British actors in the paintings of Frans Hals, M.A. Katritzky
- In search of the marginal and outcast: the 'lower orders' in the cries of London and Dublin, Sean Shesgreen. Index.
「Nielsen BookData」 より