On the shore of nothingness : space, rhythm, and semantic structure in religious poetry and its mystic-secular counterpart : a study in cognitive poetics
著者
書誌事項
On the shore of nothingness : space, rhythm, and semantic structure in religious poetry and its mystic-secular counterpart : a study in cognitive poetics
Imprint Academic, c2003
- : pbk
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注記
Includes bibliographical references (p. [359]-368) and index
内容説明・目次
- 巻冊次
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ISBN 9780907845447
内容説明
This book studies how poetic structure transforms verbal imitations of religious experience into concepts. The book investigates how such a conceptual language can convey such non-conceptual experiences as meditation, ecstasy or mystic insights. Briefly, it explores how the poet, by using words, can express the 'ineffable'. It submits to close reading English, French, German, Spanish, Italian, Armenian and Hebrew texts, from the Bible, through medieval, renaissance, metaphysical, and baroque poetry, to romantic and symbolistic poetry.
目次
Preface Synopsis 1. Introduction: Means, Effects, and Assumptions 2. Poem, Prayer and Meditation 3. The Ultimate Limit--Appresentation and Transcendence 4. "Composition of Place", Experiential Set, and the Meditative Poem 5. Mystic Poetry--Metaphysical, Baroque and Romantic 6. The Sublime and the Absolute Limit 7. Rhythmic Structure and Religious Poetry--The Numinous, the Infernal, and Agnus Dei 8. Visual and Auditory Ingenuities in Mystic Poetry 9. Oceanic Dedifferentiation, "Thing Destruction" and Mystic Poetry 10. The Infernal and the Hybrid--Bosch and Dante 11. Let There be Light and the Emanation of Light--The Act of Creation in Ibn Gabirol and Milton 12. Light, Fire, Prison: A Cognitive Analysis of Religious Imagery in Poetry 13. The Asymmetry of Sacred, Sexual, and Filial Love in Figurative Language References Index
- 巻冊次
-
: pbk ISBN 9781845401368
内容説明
This book studies how poetic structure transforms verbal imitations of religious experience into concepts. The book investigates how such a conceptual language can convey such non-conceptual experiences as meditation, ecstasy or mystic insights. Briefly, it explores how the poet, by using words, can express the 'ineffable'. It submits to close reading English, French, German, Spanish, Italian, Armenian and Hebrew texts, from the Bible, through medieval, renaissance, metaphysical, and baroque poetry, to romantic and symbolistic poetry.
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