The music of the other : new challenges for ethnomusicology in a global age
Author(s)
Bibliographic Information
The music of the other : new challenges for ethnomusicology in a global age
Ashgate, c2007
- : hbk
- : pbk
- Other Title
-
Musique de l'autre
Available at 7 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. [85]-89) and index
Description and Table of Contents
- Volume
-
: hbk ISBN 9780754653424
Description
We are surrounded by new musical encounters today as never before, and the experience of musics from elsewhere is progressively affecting all arenas of the human conscience. Yet, why is it that Western listeners expect a certain cultural and ethnic 'authenticity' or 'otherness' from visiting artists in world music, while contemporary musicians in Western music are no longer bound by such restraints? Should we feel uncomfortable when sacred rites from Asia or Africa are remade for Westerners as musical entertainment? As these thorny questions suggest, the great flood of world musics and of their agents into our most immediate cultural environment is not a simple matter of expanding global musical exchange. Instead, complex processes are at work involving the growth of interncontinental tourism, the development of new technologies of communication and our perceptions both of ourselves and of the new musical others now around us. Elegantly tracing the dimensions of these new musical encounters, Laurent Aubert considers the impact of world musics on our values, our habits and our cultural practices.
His discussions of key questions about our contemporary music culture widen conventional ethnomusicological perspectives to consider not only the nature of Western society as a 'global village', but also the impact of current Western demands on the future of world musics and their practitioners.
Table of Contents
- Foreword by Anthony Seeger
- Preface
- The elsewhere of music: paradoxes of a multicultural society
- Shared listening, an ethnomusicological perspective
- Tradition in question: a problem of boundaries
- The paradox of the concert, or the evocation of tradition
- An artist's life, or the challenge of representation
- The art of hearing well: a sketch of a listener's typology
- The invention of folklore, or the nostalgia of origins
- World music, or the last temptation of the West
- The large bazaar: from the meeting of cultures to the appropriation of the exotic
- Learning the music of the other: a transcultural itinerary
- The fascination of India: lessons from personal experience
- References
- Index.
- Volume
-
: pbk ISBN 9780754653431
Description
We are surrounded by new musical encounters today as never before, and the experience of musics from elsewhere is progressively affecting all arenas of the human conscience. Yet why is it that Western listeners expect a certain cultural and ethnic 'authenticity' or 'otherness' from visiting artists in world music, while contemporary musicians in Western music are no longer bound by such restraints? Should we feel uncomfortable when sacred rites from Asia or Africa are remade for Westerners as musical entertainment? As these thorny questions suggest, the great flood of world musics and of their agents into our most immediate cultural environment is not a simple matter of expanding global musical exchange. Instead, complex processes are at work involving the growth of intercontinental tourism, the development of new technologies of communication and our perceptions both of ourselves and of the new musical others now around us. Elegantly tracing the dimensions of these new musical encounters, Laurent Aubert considers the impact of world musics on our values, our habits and our cultural practices. His discussions of key questions about our contemporary music culture widen conventional ethnomusicological perspectives to consider not only the nature of Western society as a 'global village' but also the impact of current Western demands on the future of world musics and their practitioners.
Table of Contents
- 1: The Elsewhere of Music Paradoxes of a Multicultural Society
- 2: Shared Listening An Ethnomusicological Perpespective
- 3: Tradition in Question A Problem of Boundaries
- 4: The Paradox of the Concert or The Evocation of Tradition
- 5: An Artist's Life or the Challenge of Representation
- 6: The Art of Hearing Well A Sketch-Typology of the Listener
- 7: The Invention of Folklore or The Nostalgia of Origins
- 8: World Music The Last Temptation of the West
- 9: The Great Bazaar From the Meeting of Cultures to the Appropriation of the Exotic
- 10: Learning the Music of the Other A Transcultural Itinerary
- 11: The Fascination of India Lessons from Personal Experience
by "Nielsen BookData"