Jasper Johns : an allegory of painting, 1955-1965

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Jasper Johns : an allegory of painting, 1955-1965

Jeffrey Weiss ; with John Elderfield ... [et al.]

National Gallery of Art, c2007

  • : hardcover

タイトル別名

Allegory of painting, 1955-1965

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注記

Catalog of an exhibition at the National Gallery of Art, Jan. 28-Apr. 29, 2007 ; Kunstmuseum Basel, June 2 -Sept. 9, 2007

Includes bibliographical references and index

内容説明・目次

内容説明

Jasper Johns (b. 1930) is one of the most significant figures in the history of postwar art. His work from 1955 to 1965 was pivotal, exercising an enormous impact on the subsequent development of pop, minimalism, and conceptual art in the United States and Europe. This is the first publication to approach Johns's work of this ten-year period through a thematic framework. It examines the artist's interest in the condition of painting as a medium, a practice, and an instrument of encoded meaning through several interrelated motifs: the target, the "device," the naming of colors, and the imprint of the body. In this handsome book, leading scholars, a conservator, and a contemporary artist consider Johns's activity in this critical decade and discuss many of his iconic paintings, such as Target with Four Faces (1955), Diver (1962), Periscope (Hart Crane) (1963), and Arrive-Depart (1963). Their new critical and historical perspectives are grounded in an unusually close visual and material analysis of Johns's work. Published in association with the National Gallery of Art, Washington Exhibition Schedule: National Gallery of Art, Washington (January 28 - April 29, 2007) Kunstmuseum Basel (June 2 - September 9, 2007)

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