Mudman : the odyssey of Kim Jones
著者
書誌事項
Mudman : the odyssey of Kim Jones
Luckman Gallery, Luckman Fine Arts Complex, California State University , UB Art Gallery, University at Buffalo, State University of New York , MIT Press, c2007
大学図書館所蔵 全2件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Exhibition catalogue
Catalog of the exhibition held at UB Art Gallery, University at Buffalo, Oct. 19-Dec. 17, 2006; Luckman Gallery, California State University, Los Angeles, Mar. 24-May 19, 2007; Henry Art Gallery, University of Washington, Sept. 29-Dec. 31, 2007
Includes bibliographical references (p. 152-153)
内容説明・目次
内容説明
Caked in mud, bearing a lattice appendage of sticks attached to his back, wearing a headdress and a nylon mask, artist Kim Jones's alter ego Mudman began appearing on city streets, on the beach, and in galleries around Southern California in the 1970s. Jones emerged from the performance art movement, and the unsettling, itinerant figure of Mudman connected the abstract, formal investigations of process- and material-based artists with the intense physicality of body-based performances. Mudman was both artistic persona and artistic construction. Part walking sculpture, part shaman, part urban cult figure, Mudman became a powerful icon for an era in some ways defined by the Vietnam war and a fascination with alternative lifestyles and non-Western religious practices. Now living and working in New York City, Jones has become known more recently for his War Drawings, exhaustively detailed pencil and erasure drawings in which x-men and dot-men endlessly engage and disengage.Mudman is the first comprehensive survey of Jones's performances, installations, and drawings from the 1970s to the present, documenting both his artwork and his process.
Published in conjunction with a retrospective of Jones's work, Mudman includes essays that examine the artist's early career, the relation of his work to male fantasies of conflict and the memory of trauma, and his use of the palimpsest and metamorphosis in his drawings.
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