A collector's journey : Charles Lang Freer and Egypt
Author(s)
Bibliographic Information
A collector's journey : Charles Lang Freer and Egypt
Freer Gallery of Art, Arthur M. Sackler Gallery, Smithsonian Institution , Scala, c2002
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 155-156) and index
Description and Table of Contents
Description
Charles Lang Freer (1854-1919) became fascinated with Egyptian art during three trips there, between 1906 and 1909, and acquired the bulk of his famous collection while on site. From jewel-like ancient glass vessels to sacred amulets with supposed magical properties to impressive stone guardian falcons and more, the Freer Egyptian collection is diverse, beautiful and important. Drawing on a wealth of unpublished letters, diaries and other sources housed in the Freer Gallery of Art Archives, "A Collector's Journey" documents Freer's experience in Egypt and discusses the place Egyptian art occupied in his aims and notions of beauty. The author reconstructs Freer's journeys and describes the often colourful characters - collectors, dealers, scholars and artists he met on the way. Gunter also places Freer's travels and collecting in the broader context of American interest in Egyptian antiquities at the time - a period in which a growing number of Americans, including such financial giants as J. Piermont Morgan and other Gilded Age barons were collecting in the same field.
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