Chinese documentaries : from dogma to polyphony
著者
書誌事項
Chinese documentaries : from dogma to polyphony
（RoutledgeCurzon media, culture and social change in Asia / series editor, Stephanie Hemelryk Donald, 8）
Routledge, 2007
- : hbk
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注記
Filmography of Chinese documentaries: p. [238]-250
Includes bibliographical references (p. [218]-237) and index
内容説明・目次
内容説明
In China, unlike in Western cinema, documentary film, rather than fiction film, has been the dominant mode since 1949. In recent years, documentary TV programmes have experienced a meteoric rise. Arguing that there is a gradual process of 'democratization' in the media, in which documentaries play a significant role, this book discusses various types of Chinese documentaries, under both the planned and the market economy. It especially explores the relationship between documentaries and society, showing how, under the market economy, although the government continues to use the genre as propaganda to promote its ideologies and policies, documentaries are being used as a medium where public concerns and alternative voices can be heard.
目次
Introduction: Writing about Chinese Documentaries 1. The Documentary Genre and Chinese Documentaries 2. Nationalism and the Birth of Chinese Documentary 3. The Dogmatic Formula 4. Media Reform, Documentary Programming, and the New Citizen 5. Documenting the Law 6. Documenting the Minorities 7. The Many Voices of Chinese Documentary. Conclusion: Documentary as Critical Discourse. Notes. Bibliography. Filmography
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