Treasures of the Ashmolean Museum : an illustrated souvenir of the collections
Author(s)
Bibliographic Information
Treasures of the Ashmolean Museum : an illustrated souvenir of the collections
Ashmolean Museum, 1995, c1985
Rev. ed
Available at 3 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes index
Description and Table of Contents
Description
The Ashmolean Museum, founded in 1683, has strong claims to be the oldest surviving institutional museum open to the public, yet, it is also the private museum of the University of Oxford. Over the centuries a continuing pattern of generous benefaction has accumulated astonishing collections in the university, and those in the fields of art and archaeology are concentrated in the Ashmolean. They range in time, from finds seven or eight thousand years old to 20th-century masterpieces. This illustrated volume provides examples of: Early-Chinese bronzes, Ancient Egyptian artefacts, sculptures and coins from classical Greece and Rome, Anglo-Saxon glass, Chinese porcelain, Indian sculpture and manuscript illustration, Islamic ceramics and Japanese screen paintings. Over half the volume is devoted to reproductions from the museum's magnificent holdings of European art - silver, maiolica, porcelain, bronzes and marbles - together with paintings, watercolours and drawings. Works by Giotto, Giorgione, Uccello and Raphael, by Rembrandt and Rubens, by the French Impressionists and by English artists from Gainsborough to Stanley Spencer.
The late Sir David Piper, Director of the Ashmolean Museum from 1973-85, compiled the original edition prior to his retirements in 1985. This new edition illustrates additional artefacts, paintings and drawings acquired by the museum during the last decade, selected and described by the present Director, Professor Christopher White.
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