Max Beckmann : exile in Amsterdam
著者
書誌事項
Max Beckmann : exile in Amsterdam
Hatje Cantz, 2007
- : English
- タイトル別名
-
Exile in Amsterdam
大学図書館所蔵 全4件
  青森
  岩手
  宮城
  秋田
  山形
  福島
  茨城
  栃木
  群馬
  埼玉
  千葉
  東京
  神奈川
  新潟
  富山
  石川
  福井
  山梨
  長野
  岐阜
  静岡
  愛知
  三重
  滋賀
  京都
  大阪
  兵庫
  奈良
  和歌山
  鳥取
  島根
  岡山
  広島
  山口
  徳島
  香川
  愛媛
  高知
  福岡
  佐賀
  長崎
  熊本
  大分
  宮崎
  鹿児島
  沖縄
  韓国
  中国
  タイ
  イギリス
  ドイツ
  スイス
  フランス
  ベルギー
  オランダ
  スウェーデン
  ノルウェー
  アメリカ
注記
Catalog of the exhibition held at the Van Gogh Museum, Amsterdam, April 6-August 19, 2007, Pinakothek der Moderne, Munich, September 13, 2007-January 6, 2008
Includes bibliographical references (p. 421-435)
内容説明・目次
内容説明
Between 1937 and 1947, while he was in exile in Amsterdam, the German-born painter Max Beckmann (1884-1950) made approximately a third of the work he would create in his lifetime. When he moved on, it was to accept an appointment as a professor at Washington University in St. Louis. Before that peacetime respite, he countered Europe's threatening instability with intense concentration. Max Beckmann in Amsterdam opens with the last work he completed in Germany, a triptych titled Versuchung (Temptation), and dedicates the balance of its pages to the paintings and drawings from his years in Holland. These widely varied responses to his immediate historical and biographical situation show horror of developments in Nazi Germany and constant physical and mental tension created by his wartime surroundings. As a body of work, Beckmann's Amsterdam portfolio is not only of great importance in understanding his motivations and methods, and in itself a record of the most productive phase in his life, but also a critical examination of a crucial moment in twentieth-century history.
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