Incense at the altar : pioneering sinologists and the development of classical Chinese philology
Author(s)
Bibliographic Information
Incense at the altar : pioneering sinologists and the development of classical Chinese philology
(American Oriental series, v. 86)
American Oriental Society, 2001
- Other Title
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Pioneering sinologists and the development of classical Chinese philology
Available at 2 libraries
  Aomori
  Iwate
  Miyagi
  Akita
  Yamagata
  Fukushima
  Ibaraki
  Tochigi
  Gunma
  Saitama
  Chiba
  Tokyo
  Kanagawa
  Niigata
  Toyama
  Ishikawa
  Fukui
  Yamanashi
  Nagano
  Gifu
  Shizuoka
  Aichi
  Mie
  Shiga
  Kyoto
  Osaka
  Hyogo
  Nara
  Wakayama
  Tottori
  Shimane
  Okayama
  Hiroshima
  Yamaguchi
  Tokushima
  Kagawa
  Ehime
  Kochi
  Fukuoka
  Saga
  Nagasaki
  Kumamoto
  Oita
  Miyazaki
  Kagoshima
  Okinawa
  Korea
  China
  Thailand
  United Kingdom
  Germany
  Switzerland
  France
  Belgium
  Netherlands
  Sweden
  Norway
  United States of America
Note
Includes bibliographical references (p. 342-350) and index
Description and Table of Contents
Description
The discipline of Sinology, as it has been developed in the West, is rooted in philology. Despite the variety of new scholarly fashions and approaches to the study of premodern China that have arisen during the past half-century, the careful examination of texts remains fundamental for all serious Sinological work. In this we are beholden to those European, and latterly, American, scholars who, over several generations, painstakingly established the standards for such work. But no comprehensive history of the field has heretofore been published in a Western language. Now Professor Honey offers just such a history of Sinology, spanning its beginnings in the first efforts of seventeenth-century Jesuit missionaries to the growing disciplinary fragmentation of the field in the second half of the twentieth century. Honey gives his most thorough attention to the major figures of French, German, Dutch, British, and American Sinology from approximately 1800 to 1980, with extensive discussion of their most significant works and individual techniques. This is a book of special importance for every student of China who cares about the history of the field.
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