Essays from the Third International Schenker Symposium
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Bibliographic Information
Essays from the Third International Schenker Symposium
（Studien und Materialien zur Musikwissenschaft, Bd. 42）
Olms, 2006
- Other Title
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Third International Schenker Symposium
3rd International Schenker Symposium
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Note
Essays in English; foreword in German
"During March of 1999, Mannes College of Music hosted the Third International Schenker Symposium"--P. [xiii]
Includes bibliographical references and index
Contents of Works
- Schenker's concept of the auxiliary cadence / L. Poundie Burstein
- Quasi-auxiliary cadences beginning on a root-position tonic chord : some preliminary observations / Roger Kamien
- Non-tonic openings in three Beethoven introductions / Lauri Suurpää
- Unity in diversity : the retained tone / David Gagné
- Dramatic functions of "tonal field" : the second duet "Carlo-Élisabeth" in Verdi's Don Carlos / Giorgio Sanguinetti
- Wie Frühlingsblumen blüht es : the first movement of Brahms's violin sonata in A major, op. 100 / Eric Wen
- Techniques of recapitulation in the eighteenth-century concerto / Joel Galand
- New theories and fantasies on the music of Debussy : post-triadic-prolongation in Ce qu'a vu le vent d'ouest and other examples / Olli Väisälä
- The structural bass in nineteenth- and twentieth-century music / James M. Baker
- Structural levels and harmonic theory : toward a reconciliation / Eytan Agmon
- Transformations of cadential formulae in the music of Corelli and his successors / William Rothstein
- Che Inganno! : the analysis of deceptive cadences / Carl Schachter