Essays from the Third International Schenker Symposium
著者
書誌事項
Essays from the Third International Schenker Symposium
（Studien und Materialien zur Musikwissenschaft, Bd. 42）
Olms, 2006
- タイトル別名
-
Third International Schenker Symposium
3rd International Schenker Symposium
大学図書館所蔵 件 / 全1件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
注記
Essays in English; foreword in German
"During March of 1999, Mannes College of Music hosted the Third International Schenker Symposium"--P. [xiii]
Includes bibliographical references and index
収録内容
- Schenker's concept of the auxiliary cadence / L. Poundie Burstein
- Quasi-auxiliary cadences beginning on a root-position tonic chord : some preliminary observations / Roger Kamien
- Non-tonic openings in three Beethoven introductions / Lauri Suurpää
- Unity in diversity : the retained tone / David Gagné
- Dramatic functions of "tonal field" : the second duet "Carlo-Élisabeth" in Verdi's Don Carlos / Giorgio Sanguinetti
- Wie Frühlingsblumen blüht es : the first movement of Brahms's violin sonata in A major, op. 100 / Eric Wen
- Techniques of recapitulation in the eighteenth-century concerto / Joel Galand
- New theories and fantasies on the music of Debussy : post-triadic-prolongation in Ce qu'a vu le vent d'ouest and other examples / Olli Väisälä
- The structural bass in nineteenth- and twentieth-century music / James M. Baker
- Structural levels and harmonic theory : toward a reconciliation / Eytan Agmon
- Transformations of cadential formulae in the music of Corelli and his successors / William Rothstein
- Che Inganno! : the analysis of deceptive cadences / Carl Schachter
内容説明・目次
内容説明
"The arguments presented in the published papers are of a high calibre, and the written style is clear and persuasive; and this applies to the essays by non-native-English-scholars, which account for a third of Schenker 3." (Music and Letters, vol. 89, no. 3). During March of 1999, the Third International Schenker Symposium took place at Mannes College of Music in New York City. This was the third in a series of conferences devoted exclusively to the work of Heinrich Schenker, the most influential music analyst and theorist of the 20th century. This volume contains studies, originally presented at the 1999 symposium, that focus on topics such as the retained tone, non-tonic openings and the auxiliary cadence; other essays use Schenkers analytical approach to explore the tonal structure of opera and the compositional language of Beethoven, Corelli, Mozart and Stravinsky. This volume gives testimony to the scope of Schenkerian research and represents the exploration of Schenkers ideas by American and European scholars at the turn of the 21st century.
「Nielsen BookData」 より